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    Winnie the Pooh: Blood and Honey (2023)

    Disney’s animated heroes take flesh and blood… from everyone who happens to cross them.

    George Clooney once said: “It’s possible for me to make a bad movie out of a good script, but I can’t make a good movie from a bad script.” While well-shot, this is a badly written film. And that makes it a bad film.

    The animated opening sequence promises a decent horror, but the live action that follows it immediately drops the bar. For starters, the characters tell one another what they need to do before doing it, and then they describe the action while you are watching it. What’s more, the pace and rhythm are literally all over the place. I can only name a few films where the director was also the editor, and the film was decent. Having said that, I actually admire Rhys Frake-Waterfield, who wrote it, directed it, edited it, flew the drones, put the producer’s hat on, and more or less became a one-man army. I can tell you from experience that it is a Herculean task. Regardless of the outcome!

    In addition, while most of the acting is terrible (and the character development is nowhere to be found), Maria Taylor (Maria) and Natasha Rose Mills (Jessica) stand out positively. So does Vince Knight’s cinematography. As for the rest, gather your mates, order pizza and drinks, and get ready for a good laugh.

    There is no point in criticising it more negatively. The script is extremely poor, yet it managed to captivate a certain audience already. To the point that its sequel has already been announced. Will I watch that? Of course I will! Until then, as said above, grab your besties and enjoy quality time! You’ll never see Disney’s animation the same way ever again…

    P.S. You even get British rednecks! Brilliant!

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    Solidarity for all the innocent lives who suffer the atrocities of war!

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