After meeting accidentally in Italy, a Dutch and a Danish couple meet up again for a weekend in the Dutch countryside where things go awfully wrong.
Shockingly suspenseful! It is the little things that will make your heart skip a beat. While nothing is ostensibly happening in Italy, Sune Kolster’s music wants you to know that something will happen. What seems innocent or just odd in the beginning will get unbearably awkward and uncomfortable later. The slow-paced editing builds up the narrative in a manner that makes the audience a narrator who knows more than the Danish couple. But neither we nor them can foresee what is about to happen. A prime example of editing (or lack thereof) is the moment where Agnes is told what to do on the table – the perfect establishment shot that involves actions/reactions simultaneously is like a volcano ready to errupt. Other instances of incredible pace and rhythm involve the dancing competition and then the chaos that follows after that.
There is nothing much to say without ruining the experience for you so I’ll keep it short and conclude with the great acting. Morten Burian, Sidsel Siem Koch, Fedja van Huêt, Karina Smulders, and the kids play beautifully their part (I’m sure the kids don’t have the full picture), adding to a realism that will cut your breath. Writer/director’s Christian Tafdrup visual explication of evilness becomes a spine-chilling reminder that, arguably, the invention of monsters such as werewolves, vampires, and zombies might be our way of coping and/or even projecting a possessed “darkness” that we could never admit to ourselves…
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