An angry taxi driver’s last fare will make him reevaluate his own life.
Camera over the shoulder and off to a tour around the city… just until sunset. Directorial debut for Anil Bajaj, who pens the script alongside Jeff Etheridge, sits on the director’s chair and jumps straight to his cab to give one last fare. Low-budget existential drama, anchored in the essence of time, surrounded by the concepts of respect, understanding, appreciation, and the importance of knowing where we stand in this world. Surely, with a bit of extra funding, Bajaj would have unfolded a longer ride, and I, for one, would love to watch what could have been the denouement of a feature film, fully unfolding Sonny’s rage and frustration, hoping to lead to catharsis (watch and see for yourselves).
The mise-en-scène is meticulous, and the editing carefully controls the pace and rhythm. Selectively, the piano accompanies and emotionally invests in the narrative without dictating how the audience should feel. Last but definitely not least, Sherri Eakin becomes the relatable heroine and personification of loneliness that puts us in Maggie’s shoes, reassessing all the could haves, should haves, and would-haves of our lives.
Become the omniscient passenger and take the ride with them. After all, as Ithaca teaches us, the journey matters and not the destination.
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