When solid, undisputed evidence points at a man committing a despicable crime, family, friends, and law enforcement try to determine how he could have done it… when he wasn’t there.
One of the best Stephen King adaptations with the HBO guarantee! Ben Mendelsohn and Jason Bateman work brilliantly both in front and behind the camera and with them, Bill Camp, Jeremy Bobb, Mary Winningham, Paddy Considine, Yul Vazquez, Julianne Nicholson, Marc Menchaca, and Cynthia Erivo fight against an… asymmetric threat! A threat that only HBO would build up so much and so meticulously that you have no other option but to actually believe in it eventually as much as the series’ biggest “Doubting Thomas”.
The acting is gripping and the episodes’ cliffhangers, phenomenal. The screen will suck you in while trying to establish what would you do, how could you explain it, and the ways in which you would have acted. The formation of the aforementioned unlikely alliance will take you to a journey where you’ll be constantly craving for more as the deeper they dig, the darker and eerier the rabbit hole turns.
Even though it can’t get scarier than watching the news, turn the lights off, forget our soul-sucking reality, and enjoy the horror that is meant to entertain you rather than harm you.
A driver enters his empty bus, sits behind the wheel, and through his rear-view mirror, sees passengers with dark past and evil stories to unfold, waiting to be carried across…
Do you remember Creepshow (1982)? Welcome to the third decade of the 21st century, Norwegian, Netflix version of it… wait a minute… this is how I started The Platform (2019) review (https://atomic-temporary-153424946.wpcomstaging.com/2020/03/24/the-platform-2019-horror-sci-fi-thriller/)… Damn! Well… it seems that Netflix is taking the “old wine, new bottle” approach. I would complain if the result was a fake or bad copy but, to my surprise, it isn’t. And this time comes from Norway.
The purposefully vague and convoluted logline is there to not disclose anything at all. Six half an hour, authentic, Norwegian, obscure stories, incredibly made and delivered, are waiting for you to sit in front of your TV in times of isolation, take your mind off our sad reality – even for a while, and enter… an evil one (six actually). So, sit back, relax and enjoy it either as a film or mini-series.
“The World of Apu” is a bimonthly, diverse, and multilingual online film magazine which explores film cultures from around the world.
Below you can find my analysis on the True Detective series (2014 – 2019), and my reflections on its narrative and character development.