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Film Reviews
Kay Gaz Pro
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A Quiet Place: Day One (2024)
Film Reviews
December 4, 2024
What You Wish For (2023)
Film Reviews
December 3, 2024
Tigers Are Not Afraid (2017)
Film Reviews
December 1, 2024
Utoya: July 22 (2018)
Film Reviews
November 29, 2024
Conclave (2024)
Film Reviews
November 28, 2024
Monkey Man (2024)
Film Reviews
November 25, 2024
Megalopolis (2024)
Film Reviews
November 25, 2024
Pieces of April (2003)
Film Reviews
November 24, 2024
Thanksgiving (2023)
Film Reviews
November 23, 2024
Appendage (2023)
Film Reviews
November 11, 2024
The Guilty (2018)
Film Reviews
November 8, 2024
The Vigil (2019)
Film Reviews
November 8, 2024
Outside (2024)
Film Reviews
November 5, 2024
Monolith (2022)
Film Reviews
November 1, 2024
Terrifier 2 (2022)
Film Reviews
October 30, 2024
Terrifier (2016)
Film Reviews
October 28, 2024
Film Analyses
The Importance of Dystopia in Sci-fi / Horror
Film Analyses
May 5, 2021
Powerful Sequences, Defining Soundtracks
Film Analyses
January 12, 2021
Influential, Dissuasive, and Thought-Provoking Monologues
Film Analyses
July 13, 2020
Epic Plot Holes in Iconic Films
Film Analyses
May 11, 2020
This is England ’83 / ’86 / ’88 / ’90
Film Analyses
March 12, 2020
The Qatsi Trilogy
Film Analyses
January 24, 2020
Original vs Remake: Hollywood’s Need to Retell the Story (or the Lack Thereof)
Film Analyses
November 11, 2019
Indie, Low Budget, and Utterly Mind-Bending
Film Analyses
September 11, 2019
Adapting 300: Mise-en-scène and Visual Effects
Film Analyses
July 11, 2019
True Detective (2014 – 2019): Reflections on Narrative and Character Development
Film Analyses
May 11, 2019
Found Footage: Chronicles of Horror, Realism, and Case Studies
Film Analyses
March 11, 2019
Minority Report: Visual Effects and Storytelling
Film Analyses
January 11, 2019
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Magnet Releasing
Tag: Magnet Releasing
2020s
What You Wish For (2023)
Kay
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December 3, 2024
0
Drama
Baby Ruby (2022)
Kay
-
February 16, 2023
0
Drama
Piggy (2022)
Kay
-
February 2, 2023
0
