Halloween Ends (2022): Horror/Thriller

Michael Myers faces Laurie Strode for one last time, massacring whoever stands in his way.

Mixed bag of feelings but highly recommended. I’ll keep this one deliberately short as I’d love you to watch it and make up your mind. I did recommend Halloween Kills (2021): https://kaygazpro.com/2021/10/30/halloween-kills-2021-horror-thriller/ and I definitely recommend this one. Halloween Kills provides a great sequel to Halloween (2018) and also provides an answer to the most significant question of both the canonical and non-canonical films: Why does Michael Myers seem invincible… on Halloween day? Respectively, Halloween Ends provides the ending (?) all Halloween films – especially the canonical ones – deserve (?). Maybe, on the way there you’ll pick on a few “narrative discrepancies”, but, no matter what, an end needs to be put to the saga of Michael Myers who had been leaving behind him piles of bodies and very long blood trails, for a very long time (?).

David Gordon Green helms it one more time, balancing action, drama, comedy, and horror in a way that let many fans down and even though some of the “accusations” have a solid basis, some of them are as brutal as Myers. What needs to be said is that Jamie Lee Curtis is still the iconic Laurie Strode who set the solid foundation of the modern dynamic on-screen heroines.

Despite its flaws, I hope you enjoy it. It’s Halloween and this one seems to be the appropriate film/finale for the “spooktacular pumpkin period” (bad joke, I know).

Please, don’t forget to share, and subscribe. If you enjoy my work and dedication to films, please feel free to support me on https://www.patreon.com/kaygazpro. Any contribution is much appreciated and valued.

Solidarity for Ukraine 🇺🇦 🙏

Stay safe!

The Midnight Club (2022): Drama/Horror/Mystery

Eight terminally ill young men and women find companionship at a place where nothing is what it seems and gather at night to exchange horror stories.

Millennial horror with some pleasant surprises! So… It is presented as if Ilonka gets the short straw in life and she happens to find… Hold on… that’s not right. A seventeen-year-old getting the news that they are going to die soon should not be treated as a “short straw”. It’s heartbreaking, demoralising, earth-shattering… actually, it’s something that cannot be described in words. And, here, it’s been described a lot and utterly watered down. Then, to an even greater extent, apply that to every kid involved.

As if that’s not enough… one of my favourite worst practices in films nowadays, the one that I have spoken about numerous times, can also be found here; the forced diversity. And whoever thinks that Hollywood gives everyone an opportunity in this way and that I shouldn’t be a stuck-up b!@£#, I would say that I only accept that theory if everyone couldn’t as well be an underwear or a fragrance model. Where is the opportunity for obese young’uns or unattractive youngsters? All of them are good-looking young men and women and that’s amazing, but destroys the illusion of whatever realism can a series like this offer, distracts from the story, undermines human intelligence, and only becomes a crowd-pleaser. More credits, on this occasion, will have to go to Ruth Codd (Anya) whose character allows her to be more expressive than the others.

Other than that, here’s what you sign up for: Editing that cuts to close-up reactions so you constantly know exactly how everyone feels. Dialogues that are 100% scripted where everyone knows exactly what to say, how to say it, when to say it, and who to say it to. Jokes that are not funny. Childish misunderstandings and childish reactions to them, emphasised by the editing mentioned above. Then, as also mentioned above, clichéd characters portrayed by model-like actors/actresses who challenge nothing, really.

As for the stories themselves, they are original. They are great bedtime stories, and while not horror, they are eerily entertaining. Their narrative will hype you up, but the visuals will somewhat let you down. I believe it would be great if one could listen to these stories in an audio form (podcast?). This way, our own images would have been created and we would have, potentially, enjoyed them more.

It seems like I don’t have a lot of positives to say so, I’m going to stop here. Part of the reason is that Mike Flanagan has raised the bar very high with his previous miniseries and films and this one, cannot possibly reach it. It has nothing to do with the actors and actresses. They shine in front of the camera, and I’m glad they all look so gorgeous. It is Flanagan who seems that he didn’t take their terminal state seriously and therefore their characters are as superficial as they are. As I have mentioned in a previous review, on Dahmer (2022): https://kaygazpro.com/2022/10/18/dahmer-monster-the-jeffrey-dahmer-story-2022-biography-crime-drama/, Netflix is responsible for superficial and mindless entertainment as well as films and series that can shock you to your core. Unfortunately, The Midnight Club belongs to the former category.

I am not sure how much control Flanagan had over this project so, if you’d like to watch a few of his best works, I definitely recommend The Haunting of Hill House (2018), The Haunting of Bly Manor (2020), and The Midnight Mass (2021) – And, hopefully, The Fall of the House of Usher (2023) will be as amazing!

Despite my negative review, I would like to conclude with something that I got from the series’ overall vibe. Life is priceless and the ones who are fortunate enough to get to live it should not take it for granted. Because the less fortunate ones put up a real fight for it.

Please, don’t forget to share, and subscribe. If you enjoy my work and dedication to films, please feel free to support me on https://www.patreon.com/kaygazpro. Any contribution is much appreciated and valued.

Solidarity for Ukraine 🇺🇦 🙏

Stay safe!

Hellraiser (2022): Horror/Mystery/Thriller

The infamous puzzle box is found by a troubled young woman who will, inevitably, have to confront the merciless Cenobites.

Watching the trailer I couldn’t help but ask myself, what’s wrong with it? Well, for starters, it didn’t look “dirty” enough. Then, it didn’t look gory, it revealed too much in too little time, and, consequently, didn’t leave much to look forward to. Anyway, the marketing could have been rubbish so, I couldn’t wait for the film itself.

The inciting incident, at the billionaire’s mansion, will get you hooked but will not excite you. It’s a good start but it could have been a lot more. The characters themselves are decent, more investment has been made in Riley, and Odessa A’zion nails it as a troubled personality. The rest were so and so. Therefore, whatever happens to them as the narrative unfolds, will not bring tears to your eyes and you probably won’t even say ‘oh no!’.

Speaking of narrative, the film follows the same recipe its predecessors did, offering really nothing new or groundbreaking. The only “new” is the digital VFX and make-up that do the film no favours whatsoever. Unfortunately, that is an even greater weakness than the narrative because it makes the Cenobites look… fake. And if they look fake, the illusion of their “reality” crumbles. Hellraiser (2022) is the typical example of the parts being greater than the sum – when it should have been the other way around.

Favourite moments include, and are unfortunately limited to: the beginning of the bathroom sequence, the beginning of the infirmary sequence, and the introduction of the notepad. The bathroom doesn’t come through – nothing happens, the infirmary gets you excited – and leaves you hanging, and the notepad, as informative as it may be, is not enough to make it the film it deserved to be. A film that represents unfathomable gore, twisted darkness, and unbearable infliction of pain.

Here’s my advice, if you want to discover director David Bruckner’s real talent watch these: VHS (2012) – his, but also all segments, Southbound (2015) – a favourite of mine, The Ritual (2017): https://kaygazpro.com/2018/10/26/the-ritual-2017-horror-mystery-thriller/ (one of my earliest reviews, really synoptic), and The Night House (2020) https://kaygazpro.com/2021/10/27/the-night-house-2020-horror-mystery-thriller/

Please, don’t forget to share, and subscribe. If you enjoy my work and dedication to films, please feel free to support me on https://www.patreon.com/kaygazpro. Any contribution is much appreciated and valued.

Solidarity for Ukraine 🇺🇦 🙏

Stay safe!

Dahmer – Monster: The Jeffrey Dahmer Story (2022): Biography/Crime/Drama

The chronicle of the life of Jeffrey Dahmer, experienced through the lives of the people who knew him, or thought they knew him, and the ones who were unfortunate enough to cross paths with him.

It’s almost Halloween so this is my first choice for this festive period. A different type of boogeyman. A real one…

So far, Netflix has been behind superficial and mindless entertainment that makes one wonder how and why they could spend millions on such productions, and, on the other hand, it is responsible for films and mini-series that can shock you to your core. Dahmer is a representative example of the latter. Ryan Murphy, the man behind American Horror Story (2011), is hell-bent on making you feel uncomfortable and he 100% succeeds in doing so. While taking that into consideration, please, read below my review / short analysis, and, if you haven’t watched it, maybe pay attention to certain details. Then, if you have, even retrospectively, use my two cents to compare it to what you thought of it. My aim is to “bullet point” the way the narrative has been approached. Murphy…

… Throughout the episodes spends a significant amount of time trying to “blueprint” the reasons why Dahmer became the “person” he became. Reasons include, but are not limited to:

  • The hernia and anesthesia (mentioned twice).
  • Mother’s paranoia and lack of love.
  • Dad’s obsession with roadkill dissection.
  • The parent’s divorce.
  • Society’s homophobia (instigated the first murder?).
  • The police’s incompetence (mentioned numerous times) and its cinematic depiction give a justification or seek a reason behind Dahner’s psychopathic and murderous tendencies. I presume there is an argument there that if he had been caught and stopped, these tendencies wouldn’t have developed (Dahmer mentions it had become too easy).
  • Towards the end though, Dahmer himself suspects that he was probably born like this…

It feels like the blame needs to be shared or has to be put on someone so Dahmer’s mentality and, consequently, actions make, somehow, sense. Pay attention to how much attention is given to the police not caring. Pay attention to the montage (thoughts) after his father asks himself if he could have done more and how deeply he blames himself. Pay attention to how the system didn’t care to counsel him and even let him go with a slap on the wrist after he got caught masturbating in public.

… Throughout the episodes shifts the focus of the series.

While the whole series is provocative and all episodes are spine-chilling, episode 6 is the one that, in my humble opinion, raises the most concerns. Tony Hughes is shown being born, loved, and struggling in life, but being nothing but optimistic. Murphy gets the audience to love him more than any other character and that is right after he got us wondering whose fault it is that Dahmer became one of life’s biggest mistakes and after taking some of the blame off of him to pass it around. Murphy, on this occasion, tricks us into believing that there could have been hope for Dahmer if he had found love, unconditional or otherwise, but, inevitably, hope painfully dies everywhere around him, after all. My question here is simple: Why? Why would you shift the focus like that halfway into it? What is the endgame? What is he aiming at as a filmmaker?

… Revisits the police’s incompetence for one last round.

So, the loss of faith in the system, again. Glenda’s story is one of the countless testimonials where incompetent people undermine others, considering them inferior because they look different. Another question: Who knew that incompetence ruled for so long (and still does)? Answer: Everyone did!

… Treats Jeffrey Dahmer as a case study.

Making it to the last two episodes, it’s not only the focus that shifts this time but also the tone. While it is undoubtedly brilliantly made, the last two episodes become what the rest of the series had avoided that far; “too” Hollywood. The series could as well have ended in episode 7 and further details, such as life in prison, and more, could be delivered with title cards. Yet, this is not the case. The comparison to serial killer John Wayne Gacy opens the door for Murphy to raise yet another question: Could someone like Dhamer be forgiven? Also, can someone like him find Jesus, repent and truly change? I think the answers have been given previously (see Episode 6) and there is no reason to keep investigating that. Furthermore, I believe that Murphy wanted to raise even more questions (as if there is not enough to take in that far): Could the two serial killers be considered as one and the same? In other words, do their motives differentiate them or should they both be treated socially, clinically, and legally the same way? Be it as it may, to me, the only positive here is that we get more of Niecy Nash’s wonderful acting.

And that applies to every actor/actress participating in the series. Without the charismatic acting of, first and foremost, Evans Peter, and then Richard Jenkins, Molly Ringwald, Michael Learned, Karen Malina White, Rodney Burford, Shaun Brown, and everyone who even briefly appears in front of the camera, the series wouldn’t have been the same.

Conclusion

The series is, purposefully, manipulative and the order of the tragic and horrific events becomes, cinematically, as important as the events themselves. The non-chronological way of telling the story, the importance of when to start and how to finish, and what to include and what to leave out are all part of a narrative that, as stated above, is meant to shock. Every episode becomes a testament to Dahmer’s character, and every episode builds up his gradual monstrosity, which raises more and more questions about the world we live in. Speaking of the monstrosity, I’ll leave you with some food for thought. Keeping in mind that this is a real person when the series’ title reads: Dahner – Monster: The Jeffrey Dahmer Story, what kind of monster does it refer it to?

Please, don’t forget to share, and subscribe. If you enjoy my work and dedication to films, please feel free to support me on https://www.patreon.com/kaygazpro. Any contribution is much appreciated and valued.

Solidarity for Ukraine 🇺🇦 🙏

Stay safe!

P.S. It’s funny how Netflix raises the issue of Lionel Dahmer profiting from the book and the publishing company from the graphic novel. If you know what I mean…

Halloween Kills (2021): Horror/Thriller

Michael Myers escapes from the trap he was led into and kills whoever stands in his way in the town of Haddonfield.

David Gordon Green and Danny McBride keep the legend alive and perpetuate the thrill of Michael Myers. Great almost 20′ investment to introduce new characters and resurface some of the old ones. That’s also great way to bridge the past and the present and move on into what is about to happen. The first massacre was a bit too “Hollywood” for me; too fast, too bloody… something like an out-of-context standoff that the filmmakers felt like throwing in. Before I even manage to process it properly though, the home invasion sequence was more vicious than expected. Horribly vicious.

After that, there is just a roller coaster of death! Haddonfield’s suppressed fear turns into exasperation, everyone mans up and womans up respectively, and everyone gets their sequence of blood and gore. None of them couldn’t be bloodier, some are funnier than other, some are suspenseful and other not at all, but, ultimately and most importantly, Laurie Strode is back! Jamie Lee Curtis, 43 years later, is still on the ball, still believing in her character and John Carpenter’s original vision and comes back swinging with everything she’s got. Carpenter himself, puts the producer’s hat on and immensely contributes the horror’s perpetuation. The excerpts from his original films make all the difference in the world. Onto two very important points, now…

One of the forgettable and non-canon Halloween timelines from the franchise, explains that Myers is not mortal on Halloween day and that he’s been taken over by a demon, and that’s why he is, ostensibly, unstoppable. Bear in mind that that’s the only explanation ever given, until now, about Myers’ mortality. Green and McBride though offer a different and vague explanation on Halloween Kills. See for yourselves and interpret it however you feel like it, it is open to interpretation anyway. I found it more philosophical than I found it literal, but can’t wait to hear about what other people think of Laurie’s theory.

Then, I feel there is something else that needs to be addressed. An underrated issue that has gone largely unnoticed. The importance of Michael’s mask. The reason why his face has not been yet disclosed and why it is so important to him to constantly have it on. As you may be aware, I host a podcast on horror and my next interview with the incredible psychologist Michelle Satchwell will reveal undisclosed to many information about the role of masks in the horror genre, their effectiveness, and where everything derives from. Stay tuned for more…

There are so many production details to talk about but, hey, it’s Halloween week so all you need to do is enjoy it yourselves out there in the real world, but if you decide to stay in and turn the lights off, enjoy a good night in, with Myers finding new ways to crawl under your skin. Horror should only be enjoyable in books, the small or the big screen. If you are out and about…

Stay safe!

The Night House (2020): Horror/Mystery/Thriller

After her husband dies, a woman starts dreaming of people and places that reveal secrets that should have been left buried with him.

I’ll start with the very obvious. Rebecca Hall is amazing at anything she’s in. She’s a phenomenal actress that deserves every praise. Here, she’s wearing the executive producer’s hat as well so more ‘congratulations’ are in order. On to the story now…

The best part of the film is that it slowly and gradually builds up the suspense. It spreads the “crumbs” so delicately that informs, to a certain extent misleads, while at the same, it time keeps you on your toes. See for example the moment where Beth falls asleep at Claire’s lap. The scene is haunting. And that’s just the top of the iceberg. Wait until the end and see where these “crumbs” lead. Writers Ben Collins and Luke Piotrowski prepare a great finale for their already well-developed story and director David Bruckner envisions it in an, honestly, unique and original way. Bruckner seems to always find ways to project human phobias in ways that shock and mesmerise at the same time. But don’t take my word for it. Watch previous films of his, such as: VHS (2012), Southbound (2015), and The Ritual (2017) and see for yourselves. He’s a brilliant director with so much to offer to the horror genre. Can’t wait for his next project.

Definitely, go for it! It’s a refreshing change for the genre, using mainly practical effects and deviates from the standard Hollywood clichés that have damaged the horror films, thankfully, not irreparably. An extra round of applause to the actors Sarah Goldberg and Vondie Curtis-Hall for their amazing support. You will not know what to look for, this is why you will not see it coming… I hope you enjoy it as much as I did. Happy Halloween!

Stay safe!

Malignant (2021): Crime/Horror/Mystery

A woman starts having horrible nightmares that turn out to be visions of actual violent crimes that she is unwillingly involved.

Amazing opening shot followed by an hour and fifty minutes of Hollywood dumbness. I hate writing this way about films, especially horrors. I’ve said it numerous times. Horror fans might be somewhat eccentric and geeks, but we are not dumb! James Wan especially and New Line Cinema should know and respect that. Even though the story is decent, its development is dumb, the character development is beyond understanding and that should stop! Let me rephrase, it should have stopped a long time ago. “Jump scares” is a tool for narrative, not a narrative pattern to build a whole film on. Same applies for the cardboard cut out characters that no one can empathise with.

Why is it that you hear the word ‘dumb’ and its permutations again and again? Because a solid narrative does not rely on constant music to evoke the desired emotions and feelings. That applies for every genre, in this instance though, for both the drama and the horror unfolding in the story. Take Winnie for example: a Hollywood typical. Ingrid Bisu, often cast by Wan, is a wonderful woman (and actress) and she pretends to be a geek who the person who has a crush on won’t even consider looking her that way. Also, she seems like a cat person who can;t find love. PLEASE! Honestly, name one girl who looks like that, is a geek, and cannot find someone (she co-wrote it, by the way).

James Wan is a solid director, I especially love his tracking shots and his use of close-ups. It’s not enough though. Malignant’s script is full of plot holes and that shows so much more on the big screen. And no filmmaking technique or decent acting can make that right. I wish I could be less harsh on the film, but, trust me, I’m already holding my punches.

Stay safe!

P.S. OK, the prison and police station sequences were gruesomely entertaining!

The Contribution of Heroines, and the Role of Feminism in the Horror Genre – Part 1

Tonight, I’m interviewing Michelle Satchwell. Michelle is coming back on the show to talk about the role of women in horror films. Class, gender, and race will also be analysed as to how they have been portrayed over the decades and if and how nowadays things have changed. Michelle analyses classic female-led horror films through sociopolitical theories and practices, and sheds light on how psychology examines these filmic portrayals.

References

https://en.wikipedia.org/wiki/Abjection

https://en.wikipedia.org/wiki/Sigmund_Freud

https://en.wikipedia.org/wiki/Social_actions

https://en.wikipedia.org/wiki/Interactionism

https://en.wikipedia.org/wiki/Oedipus_complex

https://link.springer.com/referenceworkentry/10.1007%2F978-3-319-15877-8_482-1#:~:text=Introduction,the%20illness%20(Hartwell%201996).

https://en.wikipedia.org/wiki/Informal_social_control#:~:text=Informal%20social%20control%2C%20or%20the,such%20as%20citizen%20patrol%20groups.

https://www.sciencedirect.com/topics/psychology/evolutionary-theory#:~:text=Evolutionary%20theory%20highlights%20the%20adaptive,%2C%20health%2C%20or%20physical%20size.

https://en.wikipedia.org/wiki/Slut-shaming

https://en.wikipedia.org/wiki/Albert_Bandura

https://en.wikipedia.org/wiki/Final_girl#:~:text=Clover%20argues%20that%20for%20a,the%20part%20of%20a%20male.

https://www.psychologytoday.com/gb/blog/the-white-knight-syndrome/200905/white-knight-commonalities#:~:text=White%20knights%20often%20have%20a,be%20hurt%20easily%20by%20others.

https://en.wikipedia.org/wiki/Marxism

Score Composition for Dark and Eerie Sequences

Tonight, I’m interviewing Aris Lanaridis. Aris is a film & media composer, sound designer and music producer. Tonight, he is talking about how music affects and enhances the suspense in horror films and what principles dictate how and what kind of music is used.

About Aris

https://www.leedsbeckett.ac.uk/staff/aris-lanaridis

https://tagg.org/teaching/mmi/filmfunx.html

https://www.linkedin.com/in/arislanarides/

References

https://en.wikipedia.org/wiki/Zofia_Lissa

The Psychology of Horror: Preparedness and Purpose

Tonight, I’m interviewing Dr. Mathias Clasen. Mathias, among other things, is Associate Professor at Aarhus University, teaching at the School of Communication and Culture, director of Recreational Fear Lab, and Associate Editor of Evolutionary Studies in Imaginative Culture. Literary Darwinism, Gothic, Horror, Science Fiction, Fantasy, Apocalyptic and Post-apocalyptic Texts, but also Cognitive and Evolutionary Theory are only but a few of the research areas he specialises in. Tonight, he is talking to me about a very interesting research of his on the pandemic and horror films but also explains what it is that attracts us to the genre.

https://pure.au.dk/portal/en/engmc@hum.au.dk

https://au.academia.edu/MathiasClasen

http://horror.dk/mathias/

https://esiculture.com/

Tusk (2014): Comedy / Drama / Horror

An arrogant podcaster is flying to Canada for his show, but ends up a prisoner by a mentally deranged old man who wants to turn him into a walrus.

I had to watch it again. Well, not really. But I did, anyway. It is a film that my mate Ben and I were discussing years ago and it was most definitely… challenging! Everything about Tusk is beyond understanding. The concept first and foremost: An old man kidnaps you with the intention to make you a walrus. Still, it’s not The Human Centipede (2009) but that’s meant to be a sick, disgusting, stitching-ass-to-mouth horror. Something that brings me to the another beyond understanding point which is that… this is a Kevin Smith film. The guy who brought us the Clerks franchise, Chasing Amy (1997), and Dogma (1999). But then he also brought us Red State (2011) so, I don’t know why I act surprised.

Tusk is a film that if you know nothing about it, it’ll shock you and disgust you. There is nothing I can say to make it make it more appealing or more difficult to watch. One thing I can say is that the cast nails it! Shockingly amazing team!!! Kevin Smith has experimented over the years. Cop Out (2010) was not my thing. If you asked me, it’s probably his most indifferent work to date. But all the rest of his work is very much appealing and interesting. He is a comic book nerd who has challenged and defied a lot of Hollywood taboos over the years. You’re gonna love it or loath it. Regardless, think about this: Punishment for being a pompous a$$hole has also its limits.

Ben, that’s for you my mate. I hope my review makes it to the land of the rising sun…

I bid farewell to the one and only Sean Connery. Rest in peace, sir!

Happy Halloween and stay safe!

The Invitation: Horror / Drama / Short

A young man recovering from a loss is invited for dinner by his boss and his wife during Halloween, but the night takes an inexplicable turn.

Halloween special episode!

DISCLAIMER: This story contains mature situations/themes and violence, and is intended for an older youth audience. Listener discretion is advised.

Based on my homonymous short horror script, The Invitation.

© 2020 Konstantinos Papathanasiou.  All rights reserved.

Bram Stoker’s Dracula (1992): Horror

When Count Dracula comes to London from Transylvania, a series of ungodly events follow him, and a group of men unites to stop him from claiming his future bride.

Which Dracula is your favourite? I guess your answer depends on how old you are. I grew up with Francis Ford Coppola’s and, admittedly, it is my favourite. And how could it not be… Gary Oldman, Anthony Hopkins, Winona Ryder, Keanu Reeves, Cary Elwes, Richard E. Grant, and Tom Waits. The late Michael Ballhaus’ haunting photography and the team’s meticulous editing synthesize one of the greatest Gothic fairy-tales of the 90s. Two years before that there was Edward Scissorhands (1990) – once again with the one and only Winona Ryder. See how shadows are cast, how the match-cuts stitch the sequences together, and how the narrative patiently unfolds. Also, what is not to be discounted is the amazing costume design and the brilliant makeup (Oscar winners).

There is an enormous amount of information regarding the film’s production, revealed at the 2007 Collector’s Edition DVD audio commentary. One of the most interesting information is the fact that, other than the blue inferno, NO digital visual effects were used in post production. Coppola was adamant and his vision paid off (it also paid for his production company’s debt and saved it from bankruptcy).

In all honesty, of course, I am not posting this to actually review the film. I am doing it for two reasons: Its brilliance lies in the storytelling and I really want to bring it to the newer generation of moviegoers or film lovers’ attention; to appreciate and understand that visual effects should be used only as a means to enhance the narrative rather than overshadow it or compensate for the lack of it. Also, to remind mine but also older generations that films such as Dracula still exist and, hey… it’s Halloween time, why not dust the old scary DVD’s and enjoy something from the past. For nostalgia…

Enjoy Halloween and stay safe!

Books of Blood (2020): Drama / Horror / Mystery

A man looking for a priceless book, a young girl looking for redemption, and a mom looking for answers cross paths in a dark journey, leading to the unknown.

Have you ever wondered what distinguishes a film from a TV movie? Is it the narrative; the way the story is told? Is it the photography? The editing? The acting? Something else? Despite of what I believe or I may know, give it some thought while watching this one.

Books of Blood has the 80s scent, and how could it not? It is from Clive Barker after all. Well, the source anyway… The first story is ultimately all over the place. It seems that there is no beginning middle or end. And what disguises as an end does not give enough justice to what could have been a true Barker story on screen. The sound somewhat annoyed me. I know it was meant to be disturbing for Jenna but literally, on occasion, it was getting on my nerves. The night terror is, arguably, the best sequence even though the tribute to The People under the Stairs (1991) was quite suspenseful.

The second story is a lot tighter. No one deserves to die from cancer, much less a young kid. So yea, a single mom having to deal with that qualifies it as a strong drama. But strong is also the horror of what happens at the end of it. Shame that digital visual effects take away the atrocity it was meant to deliver. Regardless, think of the punishment’s gravity, especially, in regard to what he says afterwards. Did he deserve it?

The third story smartly stitches everything together and while watching it you might realise that my review as misleading as the stories themselves, and that the whole is greater than the sum of its parts. Or not. As I said, it is from Clive Barker after all…

Enjoy Halloween and stay safe!

P.S. You would never think to see Seth MacFarlane sitting at the producer’s chair next to Barker’s. It must be 2020…

Directors and Horror Films

Ashley Scott Meyers is a writer, producer and director and owns the blog sellingyourscreenplay.com where you can find practical tips and advice on how to sell your screenplay. He also runs SYS Select where you can subscribe to receive premium screenwriting leads, online coaching and mentoring, online courses, and more. Among other things, tonight, he is talking about the production and artistic differences between indie and studio level horrors, their perception by both audience and directors and the importance of narrative in filmmaking.

Ashley Scott Meyers: Writer / Producer / Director

http://www.sellingyourscreenplay.com/

Kids in Horror: Source of Evil vs Source of Resolution

Michelle Satchwell is Head of the Social Sciences Department at a large school in Derbyshire, UK. She analyses the use of kids in horror films and examines the genre through the prism of Evolutionary, Cognitive, Psychodynamic, and Social Psychology. She will definitely make you question yourselves why you feel the way you do when you watch a horror.

References:

Trypophobia – fear of irregular patterns or clusters of small holes or bumps, e.g. buttons, crumpets, sponges etc.

Evolutionary/Biological psychology

There’s not a named psychologist, but we tend to take Dawkins and apply to psychology.

Emamzadeh (2018) Origin of common fears: A review (Psychology Today)

Parapsychology

[ESP cards]

Utts (1991) Replication and meta-analysis in parapsychology.

Cognitive psychology

[Elizabeth Loftus pioneer in the field and expert witness in courts].

Loftus and Palmer (1974) Reconstruction of automobile destruction (I mentioned experiment 1).

Loftus and Pickerell (1995) Lost in the mall study.

Jean Piaget (1952) Assimilation and Accommodation in Schema theory.

Psychodynamic psychology

Sigmund Freud (1917) Introduction to psychoanalysis.

[Id, Ego, and Superego all part of the Tripartite model of the personality in our unconscious like an iceberg].

Social psychology

Haney et al (1973) Stanford Prison experiment.

Zimbardo (2007) Lucifer effect.

Piliavin et al (1969) Good Samaritanism.

[The bystander effect: https://www.youtube.com/watch?v=OSsPfbup0ac]

Behaviourism

Pavlov (1897) Classical conditioning in dogs

Social Learning theory:

Bandura et al (1961) Bobo doll experiment.

Michelle’s book: Psychology Review: A-level Exam Skills and Practice Paperback – 30 Oct. 2020 ISBN-10: 1398308013

The Crow (1994): Action / Drama / Fantasy

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A man, after been brutally murdered, comes back to life to avenge his and his fiancée’s death by killing the ones responsible one by one.

Even though deeply stigmatised and remembered as the film that Brandon Lee was killed, The Crow still remains Lee’s legacy and a ’90s goth, revenge, Halloween classic. One of Alex Proyas’ finest films that unfortunately spawned sequels that should have never been made. Ranked 37th in IGN’s Top 100 Comic Book Heroes, the film has significant differences to the graphic novel but, proudly growing up with it, I can reassure you that, despite its flaws, it will be admired by every future generation to come.

The production details vary from ground-breaking VFX to complete the film after Lee’s death, to sets getting destroyed, to numerous people getting injured, and to cast and crew constantly abusing cocaine from the set to the toilets. Regardless, if you grew up with it as well, it will take you for a stroll down memory lane and if you were too young or not born yet, it will travel you to an analog world before the digital era took over.

Both father and son will always live in our hearts.

You can find it here: https://amzn.to/2QpMXZ6

Trick ‘r Treat (2007): Comedy / Horror

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Demons, witches, pranks going wrong, werewolves, serial killers and a virgin, all happen in a small town’s Halloween night.

Jack O’ Lantern’s favourite comedy/horror. Writer/Director Michael Dougherty offers great home entertainment by blending scared kids, horny teenagers, and mentally deranged adults in a non-linear narrative horror with plenty of laughs, quirky performances, snappy editing, and highly creative costumes. Winner of the 2009 Fright Meter Award for Best Horror, Trick ‘r Treat is surrounded by mystery itself as, without explanation, it was pulled from the schedule, did not get a theatrical release, and went straight to DVD two years later. Producer Brian Singer reunites the amazing Brian Cox and the mesmerising Anna Paquin after X-Men 2 (2003). So, turn the lights off, grab something unhealthy to munch, and forget about all of your problems for the next hour and twenty minutes. Happy Halloween!

You can find it here: https://amzn.to/2SA2DM2

Sleepy Hollow (1999): Fantasy / Horror / Mystery

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An eccentric constable is sent to a village called Sleepy Hollow to investigate three mysterious murders but he gets more than he bargained for when he encounters The Headless Horseman.

Twenty years later and it’s still captivating. Tim Burton adapts for the silver screen the legendary Celtic and German folklore and creates one of the most atmospheric, period gothic fairytales you will have ever watched. Sleepy Hollow is purely a masterpiece. The perfect balance of horror, comedy, and fantasy with an equally “magical” and intense subplot. Like Shakesperean thespians, all actors deliver amazing performances that enhance the film’s genre. Danny Elfman’s eerie score gets your undivided attention from the opening scene and Emmanuel Lubezki’s hauntingly beautiful cinematography may have lost the Oskar to American Beauty (1999) but this merely means anything as you will probably have never encountered anything like it in any other fairytale adaptation [Maybe, Edward Scissorhands (1991) or Bram Stoker’s Dracula (1992)]. The “Best Art Direction-Set Decoration” Oskar was well earned for building the Sleepy Hollow from scratch within three months. As the and crew stated: “The feeling one had walking around Sleepy Hollow’s sets, and in particular the town at Lime Tree, was almost as if you were walking around the inside of Tim Burton’s head.”

Sleepy Hollow is the best side of Hollywood. A side that is often forgotten by the studios but should be a reminder that quantity (the $100M budget) can be indeed spent wisely and increase the film’s quality. A reminder that visual effects are meant to be used as a means to advance the story, and not dominate the film overshadowing its narrative. Words cannot beautify Tim Burton’s classic. A must-watch not only for the Haloween period but also for times of classical storytelling nostalgia.

You can find it here: https://amzn.to/2MCpnqS

Scary Stories to Tell in the Dark (2019): Horror / Mystery / Thriller

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On Halloween, three friends and a mysterious drifter end up in a haunted house, discovering a dead girl’s notebook that contains deadly stories that come true.

Are you a Halloween fan? Are you a ‘scary stories’ fan? Then look no further! Based on the ’80s homonymous book series written by Alvin Schwartz and illustrated by Stephen, Gammell Scary Stories to Tell in the Dark is a nostalgic, coming of age horror which builds on the historic events of Nixon’s elections and the effects of the Vietnam War through the eyes of teenagers living in a small town. Is it too scary? No. Is it flawless? Definitely not. But don’t rationalise it and don’t be too harsh on it. Like any scary campfire story, the couple of plot holes do not matter a bit as the film, in its own right, is thoroughly enjoyable and a perfect fit should you decide to stay in and turn the lights off.

Great storytelling to keep you entertained, and how could it not be? With André Øvredal [Troll Hunter (2010), the Autopsy of Jane Doe (2016)] behind the camera and Guillermo del Toro behind the script and the production, it could be nothing but a perfect mix of reality and fantasy. Also, first-class acting by all kids, and very well edited. Look forward to watching more Halloween films like this one which creates the right atmosphere to ward off the ghosts and, whatever issues loop in your mind, take the back seat until the end credits start scrolling down. Highly recommended!

You can find it here: https://amzn.to/2tRBARR

Tales of Halloween (2015): Comedy / Horror

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“The ABC’s of Death” (2012) for Halloween. Here’s what’s on the menu:

Babysitters with their guts hanging out, kids slaughtering adults, wives baking their husbands alive, human skewers, decapitating pumpkins, Voorhees vs aliens, cannibalism, and more…

Entertainment for the whole family! Ten comedy/horror gruesome stories, ten brilliant excuses for you and your ghoul mates to get rat-arsed, doped, and trick-or-treat the shit out of each other. Have fun!

You can find it here: https://amzn.to/39bVMy1

Halloween (2018): Horror / Thriller

Bloodbath! Nine films after the original “Halloween” (1978), producers, actors, writers, and director managed to get it right. Ignoring all previous sequels and reboots, it pays homage to all of them. I know, right? Producer Jason Blum, writer Danny McBride and co-writer/director David Gordon Green wrote it, re-wrote it, shot it, re-shot it, re-re-shot it, Timothy Alverson re-re-re-edited it, so your visit to the cinema pays off. 40 years to the day after “Halloween”, you get a sequel with:

  • Soundtrack that still gives goosebumps.
  • DOP to remind you or get to know of the ’80s (depending on your age) well-crafted slashers.
  • And character-wise, the anticipation of highly respected original Laurie and Michael standing, once more, for the last time (?) toe to toe.

Gripping! Well written, well-directed, and well-acted, it is the showdown to clamour for. That said, the child inside me still wants to watch… Myers vs Voorhees! Mr. Blum, I hope you are reading.

You can find it here: https://amzn.to/2tS0y3z