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Final Destination: Bloodlines (2025)
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May 21, 2025
Die Alone (2024)
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It’s What’s Inside (2024)
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Mother’s Instinct (2018)
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We Live in Time (2024)
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The Leftovers – A Lonely Journey Through Loss, Faith, and Human Fragility
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January 10, 2025
The Importance of Dystopia in Sci-fi / Horror
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May 5, 2021
Powerful Sequences, Defining Soundtracks
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January 12, 2021
Found Footage: The Beginning, the Escalation, and its Societal Impact
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October 21, 2020
The Horror Inside Us: Leading Anxieties and False Certainties
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Directors and Horror Films (Podcast)
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Kids in Horror: Source of Evil vs Source of Resolution (Podcast)
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Influential, Dissuasive, and Thought-Provoking Monologues
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Epic Plot Holes in Iconic Films
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This is England ’83 / ’86 / ’88 / ’90
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The Qatsi Trilogy
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January 24, 2020
Original vs Remake: Hollywood’s Need to Retell the Story (or the Lack Thereof)
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Indie, Low Budget, and Utterly Mind-Bending
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Adapting 300: Mise-en-scène and Visual Effects
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True Detective (2014 – 2019): Reflections on Narrative and Character Development
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May 11, 2019
Found Footage: Chronicles of Horror, Realism, and Case Studies
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March 11, 2019
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Tag: Cinema
Drama
Luce (2019)
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January 9, 2020
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Drama
Adopt a Highway (2019)
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January 8, 2020
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Zombieland: Double Tap (2019)
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Don’t Let Go (2019)
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Freaks (2019)
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Good Boys (2019)
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Alita (2019)
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Angel Has Fallen (2019)
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Ostinato (2019)
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Anna (2019)
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Avengement (2019)
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Midsommar (2019)
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Film Analyses
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American Son (2019)
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The Gallows (2015)
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The Farewell (2019)
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The Crow (1994)
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1990s
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In The Tall Grass (2019)
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