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    Sputnik (2020)

    When a Soviet spaceship crash lands and its astronaut is taken to a secret facility, an unconventional scientist is called in to examine its sole survivor, who didn’t return entirely alone.

    Well-crafted sci-fi horror made in Russia. Ego Abramenko’s Sputnik has a horror/sci-fi vibe that levels with Hollywood blockbusters. As much as this is promising, it poses the following issue: If it were dubbed in English, it would be like watching a Hollywood film. And more specifically, the Alien franchise. The name relates to space exploration and the first artificial satellites Russia sent orbiting around the Earth. It also means ‘companion’ or ‘fellow traveller’, which refers to the alien organism the astronaut is carrying inside him (information provided by IMDb).

    By being shot, primarily at the Shemyakin-Ovchinnikov Institute of Bio-organic Chemistry in Moscow, the audience can get a good sense of Soviet architecture, but also its harshness, which is connected to the regime at the time. I very much enjoyed the first act and its slow-burn build-up, the plot point that connects to the main incident, and the narrative’s development until the first part of the second act. From then on, the action takes over, and even though the slaughter is appealing, it turns into a standard Hollywood-like film that is well-shot and well-edited, and that is it. What could I expect more? Drama and/or horror within the action. See Alien (1979); you cannot take your eyes off the chase because action, thriller, and horror blend in smoothly and, simultaneously, unexpectedly.

    The action is expected in Sputnik, but this doesn’t mean that you shouldn’t watch it. The visuals are impressive, the photography is dark, and the editing manipulates the information provided to a large extent. Oksana Akinshina does a great job as the unconventional scientist who struggles between science and politics and proudly holds the films on her shoulders. Go for it and, if anything, get a fresh take on the meaning of ‘blockbuster’.

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