A demonic possession will challenge a nun’s faith and her promiscuous past.
Decent concept, but too formulaic. Right off the bat, both photography and acting promise a good scare. Then, the statistics show up, and I pause for a minute to research if they are accurate. They aren’t. As Hollywood tends to do, it just bends truths and facts to confuse the audience, so they don’t know what’s real and what isn’t. Great narrative technique, but not when presented as “facts”. Come on…
Regardless, the suspense and the thrill work quite well for the most part; the horror doesn’t, and the first exorcism cannot hide that. Certain Hollywood producers cannot escape the formulaic and the cliché. They will use, for instance, jump scares – which is only a tool – over and over only because the scripts they are handling are grasping at straws. Remember, “flashy” editing, rhythmic, and metric montages can only do so much to advance the story. The same applies to visual effects. The story needs to flow convincingly on its own.
Robert Zappia’s script tries hard to become innovative but doesn’t do well. On the other hand, Daniel Stamm, the experienced director behind the gritty 13 Sins (2014), and The Last Exorcism (2014) seems to have his hands tight up. Lionsgate used to be ahead of its game, but not for years. They just love, as said above, the formulaic and the cliché. Jacqueline Byers (Ann) is a great actress but a victim of a narrative doomed to fail.
You know what I would like as an audience member? Pseudo-realism! No soppy montages, no jump cuts, and no demons who do whatever the poor narrative demands them to do just to make it to the end credits. I would like a suspense build-up leading to a balanced drama/horror narrative addressed to people I can relate to. And all that, accompanied by filmmaking techniques that will not constantly remind me that this is a film, especially a Hollywood one. Both 13 Sins and The Last Exorcism do that. How can I properly relate to these characters? Once again, everyone could have been an underwear model. It’s like, literally, all Calvin Klein models quit and decided to become members of the clergy.
Wait for the sequel of The Exorcist (2023) around Halloween time. Hopefully, that will blow our socks off.
Please, don’t forget to share and subscribe. If you enjoy my work and dedication to films, please feel free to support me on https://www.patreon.com/kaygazpro. Any contribution is much appreciated and valued.
Solidarity for all the innocent lives who suffer the atrocities of war!
Stay safe!
