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    Petite Maman (2021)

    A young girl helps her parents clean her mother’s childhood house when she meets another young girl in the forest who looks exactly like her.

    Original script, unique execution! There is no reason to fully elaborate here, so I’ll keep it short and sweet. Writer/director Céline Sciamma explores the world in a way that only a child could, and, gently and with imagination aplenty, she distinguishes it from the adults’ world. The beauty of her filmmaking lies in its simplicity and honest intentions. Forget the cinema of impressions, the “in-your-face” close-ups, the rapid editing, and the trying-to-find-plot-holes mentality. In just an hour and ten minutes, Sciamma and the real-life twins Joséphine and Gabrielle Sanz will manage to get your undivided attention by inviting you to a world that offers a second chance, understanding, and explication that defies analysis. Surely, the ending will have you thinking. The more the end credits scroll down, the more unreasonable but heartfelt answers will come to your mind.

    It’s a very simple but extremely well-thought-out premise that is brilliantly elaborated and executed. Remember, the restrictive narrative presents the world through an 8-year-old girl’s eyes who only aims to understand the world around her. After all, aren’t we all?

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