A fixer is hired to track down a young woman, but none of them know what is really at stake.
Flawed but emotional and exciting. An apocalyptic level independent thriller/horror that offers a lot of emotion, mainly due to the dramatic subplot: The fixer (Sonya Walger) suffers from a condition you wouldn’t wish on your worst enemy, and the young woman (Hayley Erin) suffers from a virus that can end the world as we know it. Writer/director John Rosman’s characters are solid: A woman who wants to live with decency and a young woman who just wants to see the world. The ending pays off, and what happens between the two women couldn’t be anything else. In the meantime, the chase is better on paper than on screen – something that brings me to the flaws of the film.
The execution is somewhat problematic, as certain scenes that could potentially be uncut and lengthy are chopped up, disrupting the pace and rhythm of what is happening and diminishing the power they arguably had on paper. Furthermore, long shots strengthen the actors’ performances, and in this case, this is what they would also have achieved for Walger and Erin.
Overall, it’s worth your time as it adds value to a subgenre that has stood the test of time.
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Solidarity for all the innocent lives that suffer the atrocities of war!
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