After her husband commits suicide, a young woman escapes to the countryside only to encounter horrors she would never expect.
A24… The production company that aims at the different, the radical, and the unconventional. Starting with Harper (Jessie Buckley) and only getting a glimpse of what is hunting her, we take the trip straight to the countryside where she’ll be residing for two weeks – that is the plan, anyway. Geoffrey (Rory Kinnear), the house owner with British-English you’ll definitely admire and will put a smile on your face, shows her around, so the main players and environment have been established. But…
The beautiful yet extremely scary tunnel’s first plot point instigates the thrill; it is where your heart will skip the first beat. From then on, the naked man, the troubled kid, the eccentric Vicar, the police’s incompetence, and everything that happens till the end of Act II escalates the horror to the next level. Not a lot can be explained but that’s what enhances the mystery. The eerie and haunting operatic music throughout the montage sequences will keep you inarguably at the edge of your seat, mouth agape. “Paranoia” doesn’t even begin to describe it! Beware of the entities presented inside the church. Also, beware of the dandelions as well. Both of them play a significant role in the narrative’s understanding. And this is where I stop.
Alex Garland, the writer/director of Ex-Machina (2014) and Annihilation (2018) and writer of 28 Days Later (2002) and Never Let me Go (2010) is not a crowd-pleaser, and, consequently, is not for everyone. His lens serves his narrative well, offering realistic thrills to surrealistic scenarios – from alien invasions to men going utterly berserk. Jessie Buckley and Rory Kinnear absolutely shine in front of the camera!
If you are not British or accustomed to British folkloric tales and myths, you’ll be utterly confused. If you are, you’ll get the gist but won’t be able to explain it anyway. And that’s the goal. In an attempt to find answers, I only got more confused, so, as intended by the filmmakers, I only provided a few possible explanations to myself – without meaning that they were the right ones. Because there is no right one.
P.S. In reality, in the English countryside, you will encounter the most beautiful places and people.
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