An eccentric, silent man of unknown origin is lured into cleaning up an abandoned funhouse inhabited by deadly animatronics.
Great fun for some members of the family – the adults, if you didn’t get it. I mean, check the logline. Is spaghetti horror a thing? Well, writer G.O. Parsons and director Kevin Lewis most definitely treat it that way, and they want to make sure that, under no circumstances, you take Willy’s Wonderland seriously. The inciting incident takes place right off the bat, and The Janitor’s introduction – the one and only Nicolas Cage – promises one helluva ride. Minutes into the film, once everyone else has been introduced and you realise you don’t really care about who lives and dies, you sit back, relax, and eagerly wait for actor and co-producer Cage to do what he does best: wreak havoc! Of course, accompanied by his extraordinary grimaces.
Inspired by Pale Rider (1985) and Killer Klowns from Outer Space (1988), Lewis decides to go berserk on the funhouse, turning it into a slaughterhouse of psychopathic animatronics versus a psychopathic janitor and a group of millennials caught in the middle. Overall, I didn’t find any particular gruesome murder capable enough to stand out. Also, the comedy genre massively overshadows the horror, making one wonder how the script was green-lit to begin with. The obvious and only answer is none other than… Nicolas Cage. His co-star, Emily Tosta, has a strong presence in the film and lightens up the shots every time she’s in. I look forward to seeing her on more projects.
Anyway, the contrast between soundtrack and visuals is the most enjoyable part of the film — and Cage, yes — and it only lasts an hour and twenty-five minutes. Enough time to forget your life’s problems and go to bed.
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