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    Velvet Buzzsaw (2019)

    Hauntingly dark and beautiful drawings are found in a dead man’s apartment, and upon their unlawful exhibition for personal profit, a price for greed comes along.

    Fancy words, filthy words, art critique jargon, shiny dress code, and over-the-top personalities, to name but a few, characterise a snotty world that most of you, and most certainly myself, have never visited and probably never will. It is hard to tell where writer/director Dan Gilroy stands and how he feels about this world he brilliantly depicts or why he chose such a sexual term for a title, and that is pure magic.

    Jake Gyllenhaal, Rene Russo, Zawe Ashton, Tom Sturridge, Toni Collette, Natalia Dyer, Daveed Diggs, and last but not least, John Malkovich give Gilroy’s surrealistic world flesh and blood and don’t hesitate to blow their performances out of proportion.

    Gilroy was asked cryptically about the meaning of his film, and he responded that he would like people to perceive art differently. As we have proved time and time again that we can be a horrible species, I would say that I see where he is coming from, and I’ll throw in my two cents. Instead of truly trying to appreciate and see art through the artists’ eyes, we make it all about ourselves, either by showing up at an illustrious museum just to be seen there or by benefiting from someone else’s expression. How? We can most likely do it by fancily writing about it to look knowledgeable and special or by monetising it, upgrading our status simultaneously. One way or another, we purely exploit it and try to hide the fact that we couldn’t do it ourselves.

    Meaning aside, and changing the subject, having watched numerous Netflix productions, once again, I would like to throw in my two cents. I think a resounding statement here has been repeatedly given for quite a while now. By Netflix. “We don’t give a s#@% !!! Is your film thought-provoking? We’ll make it! Is it bizarre? Bring it! Is it something no one wants to produce? We will! We don’t give a s#@%, which festivals accept our submissions! We couldn’t care less about which studios alleviated our success! We spend billions, and we make even more! And we do everything! We just… Don’t. Give. A. S%#@.

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