We Own This City (2022): Biography/Crime/Drama

A chronicle of the unspeakable corruption of the Baltimore Police Department’s Gun Trace Task Force.

A must-see! We Own This City is not just a miniseries, it’s a case study. The more you go into it the more it divides you and the more it makes you question what you believe in. Political beliefs are based mostly on our readings and/or on our experiences in life. Again, the more we read and the more we experience life, these political beliefs of ours get either more enhanced or debunked. Needless to say that certain people just stick to the beliefs they were taught, learn nothing from life, and, inevitably, mentally stagnate. But that is another story for another time…

Based on the book by Justin Fenton, creators George Pelecanos and David Simon, and director Reinaldo Marcus Green stick to the facts and stun with their accuracy. While dramatised, the events displayed are purely shocking. Not just for the American audience who is, unfortunately, used to experiencing those events on a regular basis, especially African-Americans, but for the rest of the world that only gets quick snippets of those tragic events, and, if not most times, sometimes the distorted version of them. What Pelecanos, Simon, and Green have achieved is introduce right off the bat, in a non-linear manner all the main players and their involvement in this case as well as the set-up of the scenery of that case. Admittedly, even though too complex for my standards, they immediately cut to the chase and still manage to intrigue with that complexity. The intriguing factor though passes the torch on to the devastating corruption that constantly and increasingly keeps blurring the lines of legality and morality. What’s more, the deeper you get into it, the more you start questioning the already doubtful system, the role it plays, who it represents, the reason(s) it’s there as well as the way it has been developed, the people who pull the strings, and the way they are pulling them.

On the other hand, the series will make you question the role of society, the individual within it, and its relationship to that system. As We Own This City colourfully portrays, society comprises totally innocent individuals, minor criminals, and major criminals. Respectfully, the system comprises hard-working and honest people, apathetic ones, and deeply corrupted. The burning and realistic question that instantly rises then is: How is this going to work? How will a corrupted system be able to serve a corrupted society? A less burning and unrealistic question (yet tremendously important) is the oldest one in the book: Does the corrupted system ruin society or does the corrupted society unavoidably generate a ruined system (chicken/egg)? We Own This City addresses those questions, deliberately messes with your head, and provides academic food for thought once the 6th episode’s credits start rolling (and way after that).

Jon Bernthal, Wunmi Mosaku, Jamie Hector, Josh Charles, Dagmara Dominczyk, Delaney Williams, Treat Williams, and the rest of the beautiful cast AMAZE with their shockingly realistic performances, conveying the intended messages to the audience. Bernthal is an extremely diverse actor, a powerhouse, that deserves a lot of praise, and so does Hector. I remember how much I hated Marlo in The Wire (2004 – 2008) and how much I loved and empathised with Sean in this one.

You will love it! You absolutely will! It’s a must-see if you like series like The Wire and The Shield (2002 – 2008).

Please, don’t forget to share, and subscribe. If you enjoy my work and dedication to films, please feel free to support me on https://www.patreon.com/kaygazpro. Any contribution is much appreciated and valued.

Solidarity for Ukraine πŸ‡ΊπŸ‡¦ πŸ™

Stay safe!

His House (2020): Drama / Horror / Thriller

A refugee couple escapes Sudan in a time of war, they arrive in England, only to have to adjust to a whole new reality and face a ghost that followed them all the way to their new house.

Welcome to a journey that no one is welcome. A soul-wrenching and haunting experience that no one should ever have. Yet, hundreds of thousands, unknown to us people do. To this very day. His House, feature debut for Remi Weekes, is a drama with horror elements whose natural drama is more horrifying than its supernatural horror. Sope Dirisu and Wunmi Mosaku carry the film on their shoulders and manage to pass on to the viewer all the survivor’s guilt and immigration’s hostility but also the sense of having nothing left! Matt Smith always adds flavour to everything he’s in.

It is not a “haunted house” horror film. It is a haunted conscience film and an introduction to a different set of beliefs and norms to the “civilised” world. Well written and brilliantly shot. Jo Willems’ cinematography deserves an extra credit.

Keep your mind open and expect nothing beforehand. Brave attempt from both Netflix and BBC Films that gives a taste of how it feels like to be a stranger and struggle into a world that sees you as a piece of s*it or a laughing stock at best.

Safe safe!

P.S. You can enjoy a lot more of Dirisu in Gangs of London (2020) and Mosaku in Lovecraft County (2020).