The Protege (2021): Action/Crime/Thriller

When her mentor gets murdered, an assassin seeks revenge for the people behind the hit.

Entertaining, yet nothing innovative. I don’t really like to badmouth films, but here we are. Especially, the ones that decent effort has been put into them. I’ll start with some positive feedback: Maggie Q. Maggie Q has proved to be a diverse actress, seen in dramas, action/adventures, even horrors. Her acting skills extend beyond her fighting or modeling skills and when the role demands it she rises to the occasion.

Unfortunately, The Protege is not one of these occasions. Director Martin Campbell, after two James Bond films and numerous other successful (or not) action/thrillers does not meet, in my humble opinion, today’s standards. The story itself is a cliché, with nothing substantial to offer to the genre, and the characters feel under-developed. Personally, I didn’t relate with anyone and everything felt like a déjà vu from Luc Besson’s early films to today.

I’ve said it before numerous times about action films and I’ll say it again: From the moment films like John Wick (2014) and Atomic Blonde (2017) were released, the bar has been raised too high. Long shots is, partially, what cinematic realism stands for. And even though it is an extremely lengthy debate, the argument here is well-established: The action needs to be coherent, it has to be clear, and it has to have duration in order to be believable and be perceived as ‘real’. The director needs to work with the fight coordinator, the actors, and the stunts in preproduction so, during principal photography, everyone knows where they need to stand, where they need to land, and develop the hand-to-hand combat. The editing does not cut it anymore – pun intended. The editing needs to establish the continuity, not in every technique or counter-technique, but when the narrative demands it. Therefore, the info on the poster “From the studio that brought you John Wick…” sounds somewhat ironic. The film features Samuel L. Jackson and Michael Keaton but, as with the rest of the performances, don’t expect much.

Unfortunately again, the narrative here is something almost everyone has seen before, lowering the excitement levels to underground levels. Shame, really.

Stay safe!

Da 5 Bloods (2020): Adventure / Drama / War

Da 5 Bloods

Four African American veterans return to Vietnam for the first time after the war ended to find their fallen brother and leader and claim something they consider rightfully theirs.

The opening sequence hits the nail! Right off the bat, you know exactly Spike Lee’s angle on this one. From Ali’s heroic statement to the historic footage that follows, Da 5 Bloods promises to be yet another Lee’s film way ahead of its time. But it isn’t. It most certainly is not. So what happened?

The story is quite an adventure. A sweet and sour and powerful one. The heroes are relatable and so is their background. Delroy Lindo, Clarke Peters, Norm Lewis, Isiah Whitlock Jr., and Jonathan Majors deliver powerful performances. Furthermore, Newton Thomas Sigel’s cinematography is gripping. So, again, what happened? I’ll start with the music. For a film that mocks Rambo, it surely shares a similar score that accompanies it throughout most of its moments, killing the emotion. Then, there are two major problems. The lesser problem is the editing which can make or break every film. And in this case, it is at least mediocre. So, what can be worse than mediocre editing? The script! The one too many weak subplots overshadow the main plot that has one too many gimmicks. The gold’s and body’s discovery, and the team arriving at the right place at the right time are just the tip of the iceberg. Before and after that, it just remains unreasonably and purposelessly convoluted. Shame really. Real shame. Should you decide to watch it, enjoy Lindo not holding back one bit! The best parts of the film.

Stay safe!