As part of an initiation, a bride, on her wedding night, needs to play a sinister family tradition game.
The line between horror and comedy hangs in the balance. How much of each is needed to scare people but also make them laugh? But then, what kind of humour does one use against the gore? And what if it is psychological? These questions, and more, have no definite answers. Script, directing, editing, and acting, all need to work like a Swiss watch to evoke both feelings. I know that this applies for every genre but the emotions here are antithetical and, I guess, that makes, as I said, the balance is delicate.
Everyone plays their part brilliantly. Other than Samara Weaving who deserves every win for playing Grace, Nicky Guadagni, as the deranged aunt Helene is bloody hilarious. The script is tight, maintaining that “delicacy”, and the duo Matt Bettinelli-Olpin and Tyler Gillett do an incredible job behind the camera. Other than the upcoming Scream (2022) they are also responsible for the “10/31/98” V/H/S (2012) segment and Southbound (2015) which I will watch again and review it straight away.
Very interestingly, Weaving is playing the reversal of her role in The Babysitter (2017). Now, that I’ve seen her in both sides of the fence, as prayer and prey respectively, I can say with certainty that, other than impressive woman, she is an impressive actress as well and she’s been in two of my favourite horror/comedies that I’ve seen in recent years. She’ll be an even more sought-after actress as the years pass by.
Bloody gore, naive fatalities, fancy costumes, hilarious profanity, surrealistic family complexities, and limitless buffoonery will keep you entertained for an hour and a half, offering an escape from what you see on the news every day.