Resurrection (2022): Crime/Drama/Horror

A single mother and successful executive starts gradually losing her mind when a mysterious man from her past appears out of the blue.

Intense and captivating! I walked right into it, knowing nothing about it. Rebecca Hall’s acting and her character, Margaret, compete to get your attention. Is Margaret that compelling or is Hall so freaking good? And while you’re wondering that, the appearance of the mysterious man, the one and only Tim Roth, escalates the suspense to the extreme. Who is he? What has he done to her? What is he doing to her? What is he going to do to her?

But when you make it to Margaret’s disturbing monologue, take a break for a second – actually 8 minutes, stop asking questions, and pay attention. A great director knows when to cut or not. In dialogue, they know when to cut from the addresser to the addressee. They know their actors’/actresses’ abilities and trust them – and that extends to Grace Kaufman (Abbie). Writer/director Andrew Semans goes above and beyond and creates a psychological thriller that delves into trauma, manipulation, and their implications and throws you off your comfort zone. He lets Hall, Roth, and Kaufman unfold their talent and paces his film eerily and methodically.

It’s interesting, we may think we know someone and admire their confidence and want to be like them but little do we know. More interestingly, we may think we know ourselves, but, one day, we might realise that we have forgotten how our actual face looks, buried deep underneath the innumerable facades we’ve put on over the years…

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P.S. Speaking of disturbing 8-minute monologues, a similarly unsettling one is Mia Goth’s in Pearl (2022): https://kaygazpro.com/2023/01/06/pearl-2022-horror/ Remember… a good director knows!

Luce (2019): Drama

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Luce, a black kid adopted from war-torn Eritrea by a white couple, becomes an excellent school student and a political statement but a series of obscure and ostensibly unrelated events gradually reveal everyone’s true colours.

I think that IMDb got it wrong here. They put ‘Drama’ under the title when they should have described it as ‘Thriller/Drama’. Let me explain… What’s at stake in Luce is the portrayal of the American educational system as a business. The selective promotion of an ethnic minority’s minority to the outside world, solely benefiting the system, labeling this person or group as a brand, and making them the poster child of what the system allegedly represents. That hypocritic notion is Luce‘s dramatic aspect. But this notion is wrapped by its thrilling development – by J.C. Lee – into a script. Character-wise, everyone – but one – is guilty. Everyone throughout the film either reveals or gets obvious that has lied at least once or has been withholding crucial to the story information. Something that Julius Onah’s directing and Madeleine Gavin’s editing unfold very meticulously. The music carefully dictates the film’s tone, adding the eerie atmosphere of an A-class thriller. DOP Larkin Seiple with surgical precision frames everything, including only what you need to see – and not what you would like to. Naomi Watts, Tim Roth, Octavia Spencer, and Kelvin Harrison Jr. shine in front of the lens, creating amazing chemistry, and make you love them and then loathe them, even love them and loathe them at the same time. But… the (not guilty) one holding no punches whatsoever and steals the spotlight is none other than Marsha Stephanie Blake. Hair-raising performance!

For better or for worse my role is to do film analysis and not politics even though most of the times I can’t help myself. Watch it and jump to your own conclusions regarding what is wrong with the US educational system, one of America’s most sore points. Interesting is also the subplot; the fear of expression due to the pushed and rushed political correction imposed nowadays and the questionable movements all around the world that aim to skin you alive if you dare to offend anyone – even unintentionally.

Don’t miss this one out. Don’t let it go under the radar.