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Kay Gaz Pro
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Musical
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Western
Die Alone (2024)
Film Reviews
May 20, 2025
Presence (2024)
Film Reviews
May 19, 2025
The Damned (2024)
Film Reviews
May 18, 2025
A Different Man (2024)
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May 14, 2025
It’s What’s Inside (2024)
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May 13, 2025
Vadakkan (2025)
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May 12, 2025
Mother’s Instinct (2018)
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May 9, 2025
Last Breath (2025)
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May 8, 2025
The Monkey (2025)
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May 7, 2025
Havoc (2025)
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May 6, 2025
Sinners (2025)
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April 20, 2025
Warfare (2025)
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April 15, 2025
Wolf Man (2025)
Film Reviews
April 1, 2025
The Woman in the Yard (2025)
Film Reviews
March 16, 2025
We Live in Time (2024)
Film Reviews
March 10, 2025
Anora (2024)
Film Reviews
March 7, 2025
Wisdom
Fun Facts
Did You Know…
Film Analyses
The Leftovers – A Lonely Journey Through Loss, Faith, and Human Fragility
Film Analyses
January 10, 2025
The Importance of Dystopia in Sci-fi / Horror
Film Analyses
May 5, 2021
Powerful Sequences, Defining Soundtracks
Film Analyses
January 12, 2021
Found Footage: The Beginning, the Escalation, and its Societal Impact
Film Analyses
October 21, 2020
The Horror Inside Us: Leading Anxieties and False Certainties
Film Analyses
October 7, 2020
Directors and Horror Films (Podcast)
Film Analyses
September 23, 2020
Kids in Horror: Source of Evil vs Source of Resolution (Podcast)
Film Analyses
September 9, 2020
Influential, Dissuasive, and Thought-Provoking Monologues
Film Analyses
July 13, 2020
Epic Plot Holes in Iconic Films
Film Analyses
May 11, 2020
This is England ’83 / ’86 / ’88 / ’90
Film Analyses
March 12, 2020
The Qatsi Trilogy
Film Analyses
January 24, 2020
Original vs Remake: Hollywood’s Need to Retell the Story (or the Lack Thereof)
Film Analyses
November 11, 2019
Indie, Low Budget, and Utterly Mind-Bending
Film Analyses
September 11, 2019
Adapting 300: Mise-en-scène and Visual Effects
Film Analyses
July 11, 2019
True Detective (2014 – 2019): Reflections on Narrative and Character Development
Film Analyses
May 11, 2019
Found Footage: Chronicles of Horror, Realism, and Case Studies
Film Analyses
March 11, 2019
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