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Die Alone (2024)
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May 20, 2025
Presence (2024)
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May 19, 2025
The Damned (2024)
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May 18, 2025
A Different Man (2024)
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May 14, 2025
It’s What’s Inside (2024)
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May 13, 2025
Vadakkan (2025)
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May 12, 2025
Mother’s Instinct (2018)
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May 9, 2025
Last Breath (2025)
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May 8, 2025
The Monkey (2025)
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May 7, 2025
Havoc (2025)
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May 6, 2025
Sinners (2025)
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April 20, 2025
Warfare (2025)
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April 15, 2025
Wolf Man (2025)
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April 1, 2025
The Woman in the Yard (2025)
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March 16, 2025
We Live in Time (2024)
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March 10, 2025
Anora (2024)
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March 7, 2025
Wisdom
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The Leftovers – A Lonely Journey Through Loss, Faith, and Human Fragility
Film Analyses
January 10, 2025
The Importance of Dystopia in Sci-fi / Horror
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May 5, 2021
Powerful Sequences, Defining Soundtracks
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January 12, 2021
Found Footage: The Beginning, the Escalation, and its Societal Impact
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October 21, 2020
The Horror Inside Us: Leading Anxieties and False Certainties
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October 7, 2020
Directors and Horror Films (Podcast)
Film Analyses
September 23, 2020
Kids in Horror: Source of Evil vs Source of Resolution (Podcast)
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September 9, 2020
Influential, Dissuasive, and Thought-Provoking Monologues
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July 13, 2020
Epic Plot Holes in Iconic Films
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May 11, 2020
This is England ’83 / ’86 / ’88 / ’90
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March 12, 2020
The Qatsi Trilogy
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January 24, 2020
Original vs Remake: Hollywood’s Need to Retell the Story (or the Lack Thereof)
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November 11, 2019
Indie, Low Budget, and Utterly Mind-Bending
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September 11, 2019
Adapting 300: Mise-en-scène and Visual Effects
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July 11, 2019
True Detective (2014 – 2019): Reflections on Narrative and Character Development
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May 11, 2019
Found Footage: Chronicles of Horror, Realism, and Case Studies
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March 11, 2019
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Sarah Bernstein
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Biography
Official Secrets (2019)
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December 16, 2019
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