The House of Atreides moves to planet Arrakis to protect the most precious resource of existence, but yet another interstellar feud amongst the Houses is just about to begin.
Yet another feud, yet another cinematic achievement from Denis Villeneuve! A phantasmagorical Part 1 that will impress even the hardest ones to please! Dune has it all; the solid script and acting, the state-of-the-art visuals and sounds, Hans Zimmer’s epic soundtrack, the extraordinary photography, the controlled pace and rhythm… everything!
Villeneuve did not become slave to the original source – Frank Herbert’s already amazing novel – but respected it, visualised it in a way no one has done before, and materialised it like no one has done before. While watching it, I couldn’t help but wonder: did I ever imagine in the early 90s, while playing the game, that I will watch Dune, a film of that magnitude, on the big screen? Yet, here I am having watched it… ready already for Part Two.
One may notice the numerous liberties taken adapting the film, but we need to remember that film is a visual medium and that an adaptation is a product of its era (think from societal needs and restrictions to VFX). And Villeneuve’s liberties work like a Swiss watch. See for example the fighting styles: As per IMDb, Fight Coordinator Roger Yuan gave the House of Harkonnen ancient Mongolian fighting skills and the House of Atreides Filipino fighting skills, a visual result that matches the nature of the two Houses. The same applies for the costume design that doesn’t resemble the book’s descriptions, and yet every costume encapsulates the status of each House.
The all-star cast comprises of: Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Jason Momoa, Josh Brolin, Javier Bardem, Sharon Duncan-Brewster, Zendaya, Stellan Skarsgård, Chang Chen, Dave Bautista, Charlotte Rampling, and more. An excellent cast that shines in front of the camera. My only issue with Hollywood, and not the film in particular, is that everyone has to be attractive. Everyone could as well be a model on an underwear or a fragrance poster. But whatever… I’ve lost count of how many times I’ve brought that one up.
Every department, every cinematic technique applied, everything you see and hear… can be thoroughly analysed individually, but also collectively. And either for research or purely informative purposes, researchers and columnists, respectively, will write extensively about Dune. For now, what you need to do, is turn off the lights, turn down your phones, turn up your sound system, and enjoy a unique cinematic experience.