Dune (2021): Action/Adventure/Drama

The House of Atreides moves to planet Arrakis to protect the most precious resource of existence, but yet another interstellar feud amongst the Houses is just about to begin.

Yet another feud, yet another cinematic achievement from Denis Villeneuve! A phantasmagorical Part 1 that will impress even the hardest ones to please! Dune has it all; the solid script and acting, the state-of-the-art visuals and sounds, Hans Zimmer’s epic soundtrack, the extraordinary photography, the controlled pace and rhythm… everything!

Villeneuve did not become slave to the original source – Frank Herbert’s already amazing novel – but respected it, visualised it in a way no one has done before, and materialised it like no one has done before. While watching it, I couldn’t help but wonder: did I ever imagine in the early 90s, while playing the game, that I will watch Dune, a film of that magnitude, on the big screen? Yet, here I am having watched it… ready already for Part Two.

One may notice the numerous liberties taken adapting the film, but we need to remember that film is a visual medium and that an adaptation is a product of its era (think from societal needs and restrictions to VFX). And Villeneuve’s liberties work like a Swiss watch. See for example the fighting styles: As per IMDb, Fight Coordinator Roger Yuan gave the House of Harkonnen ancient Mongolian fighting skills and the House of Atreides Filipino fighting skills, a visual result that matches the nature of the two Houses. The same applies for the costume design that doesn’t resemble the book’s descriptions, and yet every costume encapsulates the status of each House.

The all-star cast comprises of: Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Jason Momoa, Josh Brolin, Javier Bardem, Sharon Duncan-Brewster, Zendaya, Stellan Skarsgård, Chang Chen, Dave Bautista, Charlotte Rampling, and more. An excellent cast that shines in front of the camera. My only issue with Hollywood, and not the film in particular, is that everyone has to be attractive. Everyone could as well be a model on an underwear or a fragrance poster. But whatever… I’ve lost count of how many times I’ve brought that one up.

Every department, every cinematic technique applied, everything you see and hear… can be thoroughly analysed individually, but also collectively. And either for research or purely informative purposes, researchers and columnists, respectively, will write extensively about Dune. For now, what you need to do, is turn off the lights, turn down your phones, turn up your sound system, and enjoy a unique cinematic experience.

Stay safe!

Sucker Punch (2011): Action / Adventure / Fantasy

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After losing her mother and accidentally killing her sister, a young girl gets institutionalised, mentally withdrawing to an alternate reality, to produce an escape plan.

There is no real need for yet another review on Sucker Punch but, stumbling upon a horrible critique the other day, I felt like watching it again and writing about it. Directing, acting, cinematography, visual & sound effects, editing, music, casting, costume design, makeup, art direction, stunt coordination, choreography… get 10/10.  The opening sequence alone could be a landmark for montage in the 21st century’s Hollywood.

As for the script, this is an excruciatingly dramatic story written and uniquely developed by Zack Snyder. A more symbolic logline could be: A fragile, young girl descends into madness after reality hits her harder than she could ever imagine, not even giving her the time or arsenal to defend herself. Possibly the most artistic way of examining the mind’s coping mechanisms in multiple layers. Read between the lines; there is a huge amount of information waiting to be discovered. For more spoilers, have a look at this one. Very interesting: https://www.imdb.com/title/tt0978764/trivia?item=tr1610675

It’s always easy to cast stones and judge from the comfort of our couch. To go out there and actually do though is what takes real “cojones”. You don’t have to like it. Whoever thinks s/he can do a better job, by all means, give it a shot – and write about your experience. The number of hours and amount of effort put to bring such a film to life is beyond understanding. If you are passionate about German expressionism, Italian neorealism, experimental/avant-garde, or even art-house cinema and you still decide to watch it and don’t like it… at least don’t attack it.

They say words are mightier than the sword. Unfortunately, in this case, it proved to be true.

You can find it here: https://amzn.to/2tS9kP0

Triple Frontier (2019): Action / Adventure / Crime

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Five ex-Special Forces soldiers band together one last time to rob the money of a cocaine cartel boss in South America where everything can go wrong.

While watching the opening sequence, I thought to myself “Netflix hit the nail again”!  The moment I started to get to know the characters, I thought to myself “I hope the cliches stop here”. As the story started unfolding, the pit of cliches got full way before half-way.

Really shame. The photography is infallible. Ben Affleck, Oscar Isaac, Charlie Hunnam, Garrett Hedlund, and Pedro Pascal are brilliant actors yet none of them gets the opportunity to fully develop their character. J.C. Chandor, an equally brilliant director who was behind the camera of great films such as “Margin Call” (2011), “All is Lost” (2013), and “A Most Violent Year” (2014), delivers a film this time that does not have one memorable shot. Same applies for editing where no sequence has anything unique or something to talk about.

All these are minor though. The main problem is the script. I don’t know how many times I’ve said it before but I know how any I’m gonna say it; countless!

“You can’t fix a bad script after you start shooting. The problems on the page only get bigger as they move to the big screen.” — Howard Hawks

Besides the action’s inconsistencies and the undeveloped characters, the biggest blow is the dialogue. It is extremely poorly written and the shocking part is that the aforementioned A-list actors were OK with it. It is beyond me so, I’m gonna leave it there.

Should you decide to watch it, I hope you enjoy it.

Suburbicon (2017): Comedy / Crime / Drama

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Somehow, back then, that film went under my radar. I must have been doing something really important when the trailer came out… or something really dull. Anyway, not that anyone cares, not knowing anything about it, I watched it and, 5′ into the film, I figured out that it’s, somehow, a Cohen brothers film. The disappeared Clooney does a spot on job, if you ask me, behind the camera. The acting is there, the character hyperbole is instantly obvious, and all the Cohen atmosphere is overwhelming.

Having said all that, the film did overly poor, and the reviews were bad, bordering horrendous. I can see why some of them but the bad blood and the personal-level animosity, feels entirely uncalled for. Dark comedies are not for everyone. Suck it up!