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We Live in Time (2024)
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March 10, 2025
American Pastoral (2016)
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March 5, 2025
Humane (2024)
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March 1, 2025
The Gorge (2025)
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February 21, 2025
V/H/S/ Beyond (2024)
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February 20, 2025
Gladiator II (2024)
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February 16, 2025
Caddo Lake (2024)
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February 7, 2025
Companion (2025)
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February 4, 2025
Rogue Agent (2022)
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February 2, 2025
Salting the Battlefield (2014)
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February 1, 2025
Turks & Caicos (2014)
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February 1, 2025
Page Eight (2011)
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January 29, 2025
Milk & Serial (2024)
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January 27, 2025
The Imitation Game (2014)
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January 27, 2025
She Said (2022)
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January 25, 2025
Daddy’s Head (2024)
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January 23, 2025
Wisdom
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The Leftovers – A Lonely Journey Through Loss, Faith, and Human Fragility
Film Analyses
January 10, 2025
The Importance of Dystopia in Sci-fi / Horror
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May 5, 2021
Powerful Sequences, Defining Soundtracks
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January 12, 2021
Influential, Dissuasive, and Thought-Provoking Monologues
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July 13, 2020
Epic Plot Holes in Iconic Films
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May 11, 2020
This is England ’83 / ’86 / ’88 / ’90
Film Analyses
March 12, 2020
The Qatsi Trilogy
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January 24, 2020
Original vs Remake: Hollywood’s Need to Retell the Story (or the Lack Thereof)
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November 11, 2019
Indie, Low Budget, and Utterly Mind-Bending
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September 11, 2019
Adapting 300: Mise-en-scène and Visual Effects
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July 11, 2019
True Detective (2014 – 2019): Reflections on Narrative and Character Development
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May 11, 2019
Found Footage: Chronicles of Horror, Realism, and Case Studies
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March 11, 2019
Minority Report: Visual Effects and Storytelling
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January 11, 2019
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Lily Sullivan
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Drama
Monolith (2022)
Kay
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November 1, 2024
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