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Die Alone (2024)
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May 20, 2025
Presence (2024)
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The Damned (2024)
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A Different Man (2024)
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It’s What’s Inside (2024)
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Vadakkan (2025)
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Mother’s Instinct (2018)
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May 9, 2025
Last Breath (2025)
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The Monkey (2025)
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Havoc (2025)
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Sinners (2025)
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Warfare (2025)
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Wolf Man (2025)
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The Woman in the Yard (2025)
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March 16, 2025
We Live in Time (2024)
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March 10, 2025
Anora (2024)
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March 7, 2025
Wisdom
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The Leftovers – A Lonely Journey Through Loss, Faith, and Human Fragility
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January 10, 2025
The Importance of Dystopia in Sci-fi / Horror
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May 5, 2021
Powerful Sequences, Defining Soundtracks
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Found Footage: The Beginning, the Escalation, and its Societal Impact
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The Horror Inside Us: Leading Anxieties and False Certainties
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Directors and Horror Films (Podcast)
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Kids in Horror: Source of Evil vs Source of Resolution (Podcast)
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Influential, Dissuasive, and Thought-Provoking Monologues
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Epic Plot Holes in Iconic Films
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May 11, 2020
This is England ’83 / ’86 / ’88 / ’90
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March 12, 2020
The Qatsi Trilogy
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January 24, 2020
Original vs Remake: Hollywood’s Need to Retell the Story (or the Lack Thereof)
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November 11, 2019
Indie, Low Budget, and Utterly Mind-Bending
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Adapting 300: Mise-en-scène and Visual Effects
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July 11, 2019
True Detective (2014 – 2019): Reflections on Narrative and Character Development
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May 11, 2019
Found Footage: Chronicles of Horror, Realism, and Case Studies
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March 11, 2019
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Jeff Chan
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Crime
Code 8 (2019)
Kay
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December 29, 2019
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