Mudbound (2017): Drama/War

Two men come back to rural Mississippi after WWII, become friends, but only face bigotry and racism.

One of Netflix’s greatest and most underrated films! Directing, cinematography, writing, editing, acting, and the numerous departments that worked behind the cameras is the reason why they say that it takes a village to make a film. Based on Hillary Jordan’s novel, co-writer/director Dee Rees brings to life a film that many neglected, underappreciated, or just turned the blind eye to, but Netflix primarily distributed, after premiering at the 2017 Sundance Film Festival – received a long-standing ovation.

Every sequence has something to tell. Every sequence moves the story forward, holding cinematic techniques that “teach” filmmaking. For example, when Ronsel is on the bus, showing without telling, the shot speaks volumes about the atrocious outcome of Jim Crow’s segregation laws that divided the people. The same laws that Ronsel encountered while trying to exit the shop from the front door. Anger, frustration, and unfathomable sadness are the main emotions that take over, but Rees’s angle is not judgemental. Before and after, sequences such as the congregation at the church, Ronsel and Jamie opening up, and the KKK acting as jury, judge, and executioner can be thoroughly analysed in regard to acting, directing, cinematography, and editing. Rachel Morrison became the first female cinematographer to be nominated for an Oscar, and even though she didn’t win it, she earned everyone’s respect worldwide.

In front of the camera, Jason Mitchell, Carey Mulligan, Jason Clarke, Mary J. Blige, Garrett Hedlund, Rob Morgan, Jonathan Banks, and the rest of the cast create incredible chemistry with utterly fulfilling performances. The fact that Mudbound is current and finds application to this day and age, indicates how much societies have failed. The fact that individuals make a positive difference though is what Rees aims at and, in the end, despair turns into hope. Without it, what are we left with, anyway? In addition, what do you think “Mudbound” means?

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Stay safe!

P.S. Hit the link to get a glimpse of the film’s achievements: https://www.imdb.com/title/tt2396589/trivia/?ref_=tt_trv_trv

P.P.S. My previous review was on The Gray Man (2022): https://kaygazpro.com/2022/08/02/the-gray-man-2022-action-thriller/. Inarguably, it wasn’t a positive one. And even though that is an original Netflix film and Mudbound isn’t, arguably, one can claim that what characterises the streaming giant is diversity, and another the utter lack of identity.

The Devil all the Time (2020): Crime / Drama / Thriller

Dark, interweaving stories about faith, chance, innocence, and corruption that spring from the most corrupted part of the human soul.

West Virginia… WWII is over, the soldiers are back, and the Willards, not from West Virginia, have trouble adapting. As if the war hadn’t done enough damage, the understanding of Lord’s mysterious ways led people to be… set in their own ways. A result that brings irony and nemesis, a rhetorical device and a goddess respectively, from ancient Greece, that civilisations have been stumbling upon, in numerous shapes and forms, for millennia.

Almost an hour into the film, the new generation takes over the torch and builds on that wretched foundation, paving the path for and giving birth to menace and hypocrisy, two human “qualities” that the ancient Greeks “saw”chewing up man’s soul like locus. And there is only one offspring that can come out of such a sorrowful family tree… Tragedy!

Writer/director Antonio Campos, co-writer Paulo Campos, and editor and wife of the former Sofía Subercaseaux put their heart and soul into the film. The Devil all the Time has two strong suits. One, is the narrative. The exchange between the omniscient narrator who speaks people’s minds and connects interweaving stories, and the interchangeable restricted narration between the heroes and villains, and the audience.

The second one is the phenomenal casting: Tom Holland, Bill Skarsgård, Riley Keough, Jason Clarke, Sebastian Stan, Haley Bennet, Eliza Scanlen, Mia Wasikowska, Harry Melling, and Robert Pattinson. And guess what, most of them are not even Americans. Excellent chemistry between the actors and amazing work with the dialect coaching. Most of the cast and crew have worked together in other films before, with the most notable collaboration being Holland, Stan, and Jake Gyllenhaal, who’s wearing the producer’s hat – MCU. Donald Ray Pollock, the author of the homonymous novel, gets a special reference for voicing his first ever narration in the film.

I guess, in life, what goes around comes around. And The Devil all the Time is no short of literature on screen, believing, and strongly indicating it in the denouement, that we are trapped in an indissoluble delusion that we can run away from ourselves.

Stay safe!

Serenity (2019): Drama / Mystery / Sci-Fi

Serenity.jpg

A struggling fisherman, obsessed with catching a particular fish, finds a new purpose when a mysterious woman suddenly shows up in his little island.

Difficult to say much without giving away spoilers. Acting and cinematography are “Serenity’s” strong suits. Directing and editing do their best to reveal the right information at the right time, keep the suspension at the highest level, and the viewer constantly engaged. Does it work? Not for the majority of it. Why?

I have the suspicion that by reading the script, the film’s good intentions would be revealed. On-screen, this is not the case. The story itself is all over the place and that heavily affects character development. The film is definitely not as bad as some claim it is but with A-list cast and crew certainly one would expect more.

As with any other film, watch it and shape your own opinion. You might like it, you might not. At least, you’ll know the reason(s) why.

You can find it here: https://amzn.to/37kl0bX