The Tomorrow War (2021): Action / Adventure / Drama

On ordinary day, a group of soldiers arrives from the future to warn and train people and send them to the year 2051 to fight.

Visually stunning naivety for the whole family! Past the inciting incident, one can spot a realistic approach right off the bat. An approach that will soon be replaced by a high dose of Americanism. I’m not saying this is a good or a bad thing, but I’m saying that it focuses on a particular type of audience. Why I focus on that more than other times? Because it’s meant to be addressing international audience. It’s about saving the world and not a particular country.

During recruitment and basic training, I didn’t really feel it. Stanley Kubrick set the example in 1987 and it seems that Hollywood is still struggling to evoke or balance emotions. As the first encounter with the aliens, coincidentally, John McTiernan set another example the very same year. Scrolling credits aside, the film is about two hours and ten minutes and it still feels rushed. Something a tad more comparable to Full Metal Jacket and Predator respectively, would be War of the Worlds (2005). Steven Spielberg first dealt with aliens in the masterpiece Close Encounters of the Third Kind (1977) and, in 2005, he blew our socks off with realistically dramatic reactions to events deriving from science fiction to our deepest fears.

I’m gonna stop rumbling now though cause I sound bitter and spiteful and that was not my intention. So, I’m gonna end with a huge positive note. Director Chris McKay has brought to life Zach Dean’s script and the result is, generally, fulfilling. The film’s strongest moment is the closure of father/future-daughter relationship which is well shot and written and most definitely pays off. While at it, Yvonne Strahovski gets my round of applause here as she shines. It’s like she’s so proud of taking that role and she acts like it. She’s amazing. The Tomorrow War is a decent sci-fi summer flick with a number of standard Hollywood flaws but a great way to spend just over two hours with your favourite company – that includes your own. We may have not been attacked by aliens or saved the world yet, but we surely need a good-feel action to excite us a bit. Give it a shot. It’s worth the shot.

Stay safe!

P.S. You need to check these trivia about J.K. Simmons and his physique:

https://www.imdb.com/title/tt9777666/trivia?item=tr5821635

https://www.imdb.com/title/tt9777666/trivia?item=tr5821752

21 Bridges (2019): Action / Crime / Drama

21 Bridges.jpg

A drug robbery goes horribly bad, police officers get killed, and a hard as nails cop shuts down Manhattan in order to get them.

It feels like anything positive I have to say about the film is going to be generic and everything that is wrong will be thoroughly detailed. So, I’ll try to balance it out. The corruption in the police is old news. One man fighting against the system, too. The fact that racism is left out is hopeful. And shutting down Manhattan to achieve a bust is… innovative. 21 Bridges is definitely entertaining and will make you forget your problems for an hour and forty minutes. But implausibility becomes a major issue.

It’s giving me the sense that a third of the film is missing. A third of the film has been left in the editing room. In an hour and forty minutes, we don’t get enough character development. ‘Trigger’ doesn’t earn his name and yet it shows towards the end that he has skills. Ray (brilliantly played by the always brilliant Taylor Kitsch), the guy that is not to be messed with no matter what does not get the time (or opportunity) to go against ‘Trigger’ and give us, the audience, a spectacle. So, their brief encounter is anticlimactic. Then, the four hours script-time (the timeframe in which the cop killers need to get caught) must be squeezed into less than an hour screen-time with action that happens way too fast and disillusions the magic. To cut the long story short, the parallel action is at warp speed, jumping from one clue to the next, leading to resolution, leaving us with no absorption of any information. With the Russo Brothers putting on the producers’ hat, I would expect more detail, especially with character development.

To finish up on a good note, the robbery in the opening act is meticulously shot, with the editing offering clean cuts and, coincidentally, clean action. Also, Chadwick Boseman is the right man for the role and if you want to see him properly unfolding his action skills, watch Message from the King (2016).