Watcher (2022): Drama/Horror/Thriller

A young woman moves with her husband from America to Romania, and soon she realises that someone is watching every move of hers.

A deceiving, slow-burn thriller with a great leading actress. Why deceiving, huh? What you know and what you think you know is not the same. Ostensibly, the plot revolves around a young woman who is afraid that someone is watching her, and, potentially, following her. The subplot revolves around the same young woman who is lonely, in a foreign country, alone (for the most part), arguably depressed, and who neither speaks nor understands a word of what everyone’s saying. Until you know for sure, the line between the plot and the subplot is vague.

Zack Ford’s script and Chloe Okuno’s lens keep the narrative restricted. Okuno, like a watcher (pun intended), follows Julia wherever she goes and depicts reality as perceived through her eyes, only. Respectively, Michael Block’s editing discloses what you need to know, hiding carefully what you want to. The result of both is the deception mentioned above. Maika Monroe is an amazing and massively underrated actress. Watching It Follows (2014) and The Guest (2014) one can tell how much still she has to offer, especially in the horror/thriller genre. Also, Burn Gorman’s portrayal as a lonely man is brilliant.

It is a horrible feeling to be surrounded by an unfamiliar environment, language, and people, especially when being in an unstable mental state. Nothing and no one is what they seem to be. And Okuno and Monroe nail that feeling!

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The Innocents (2021): Drama/Horror/Mystery

During the summer holidays, four children befriend one another as they develop psychic abilities that prove to be anything but innocent.

Slow-burn, atmospheric, and psychologically brutal. I’m not sure how much the children knew about what they were doing in the individual scenes or if they are now allowed to watch the final cut, but would be interesting to find out. As in previous cases though, chances are that they don’t and they find out when they are old enough to watch it themselves and make sense of it. Remember, to them, what they do is just instructions that, without having the big picture, it may as well be just fun. For us though, the adult audience… is soul-wrenching.

The premise is rather simple: Kids are associated with innocence, yeah? And even though that is something you might expect to see here, you will not! These kids do not represent innocence. Not all of them anyway. If you are a horror fan it cannot not remind you of films, such as The Village of the Damned (1960) or Children of the Corn (1984). But it’s neither. The connection between the children starts as mysterious, fun and sweet, but gradually escalates to a dark, sinister, and contradicting connection of unidentified origins.

Very well written, shot, edited, and acted! Eskil Vogt’s The Innocents is definitely worth your attention. Pay attention to the little details: Pessi Levanto’s soundtrack; how his music is used, when it is used. Sturla Brandth Grรธvlen’s cinematography; from the long shots (the ominous, invisible force…) to the kids’ close-ups (… affecting them). Extra attention also to Jens Christian Fodstad’s editing and how beautifully the narrative visually flows. All kids do a tremendous job in front of the camera and get a lengthy round of applause, it is Alva Brynsmo Ramstad (Anna) who is tasked with the hardest role and her performance is stellar! I could not tell at first if she was acting. Hats off to all the kids!

Finally, if you are interested, I have extensively delved into the portrayal of kids in horror films on my podcast Kids in Horror: Source of Evil vs Source of Resolution: https://kaygazpro.com/2020/09/09/kids-source-of-evil-vs-source-of-resolution/ Michelle Satchwell, the Head of the Social Sciences Department at a large school in Derbyshire, UK, analyses the use of kids in horror films and examines the genre through the prism of Evolutionary, Cognitive, Psychodynamic, and Social Psychology.

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Stay safe!