The Gray Man (2022): Action/Thriller

A CIA agent becomes the agency’s target and all hell breaks loose.

Great cast, great potential, and a tremendous waste of both. Not uncommon for a special agent’s job to be dubious. Especially, right off the bat. But knowing, right after, that Ryan Gosling and Chris Evans will go toe to toe, most certainly makes it immensely interesting. But is it? The airplane sequence’s development is really, I mean, really uncalled for. Six has already displayed certain skills that brand him a top-tier assassin, but the CGI and the humanly impossible do nothing but take away these abilities, stating that without it he cannot do what the narrative suggests he is trained to do.

Regardless, he gets a chance to redeem himself. What happens next? Loads and loads and loads of human hunting, shooting, and Michael Bay-level of destruction. The “Prague on Fire” sequence is a representative example of that, and, in all honesty, no further elaboration is needed. There is a lot of impressive yet unrealistic action, knock-off Die Hard-esque and half-cooked dialogues that, again, discount its full potential. The good news is Ana de Armas, Jessica Henwick, Billy Bob Thornton, Alfre Woodard, and the well-anticipated confrontation of Gosling and Evans.

Producers/directors Anthony and Joe Russo were given $200m dollars to make it, deeming it the most expensive Netflix original film, tying it with Red Notice (2021). While the Russos know how to shoot both action and dramatic sequences (and Christopher Markus and Stephen McFeely how to write them) – Captain America: Civil War (2016), Avengers: Infinity War (2018), Avengers: Endgame (2019), etc., The Gray Man falls really short. While the multi-chopped style of editing seems to be the obvious reason, if during principal photography the choreography is not well prepared, or if the actors are not given the opportunity to fully express themselves without being cut, the editing can only do so much (damage or good). Unfortunately, that particular childish narrative represents the side of Hollywood that only cares about the cash cow and not the audience’s intelligence. Oh! And, once more, everyone could have also been a fragrance or an underwear model. #

Is it worth your time? Well, it’ll make you forget your problems for a couple of hours, make you smile a little, and send you to bed.

Please, don’t forget to share, and subscribe. If you enjoy my work and dedication to films, please feel free to support me on https://www.patreon.com/kaygazpro. Any contribution is much appreciated and valued.

Solidarity for Ukraine πŸ‡ΊπŸ‡¦ πŸ™

Stay safe!

A Million Little Pieces (2018): Drama

On the brink of death, a young alcoholic and drug dependent is sent to rehab to confront his addictions, but also the demons inside him.

Realistic enough approach with no easy ways out. The opening sequence tells it all. It is the alpha and the omega of life as an addict. The beginning of life’s end as we know it. But as the addict doesn’t. Not yet. Not until they actually die.

Wrtier/director Sam Taylor-Johnson introduces James’ personal calamity in a quite graphic way, but she clearly makes her point. Upon making it though, she focuses on the calamity’s solution, the rehab, and sinks her teeth in it. The film’s strong suit is that it doesn’t make it easy; neither for the addicts involved nor for the audience. The visuals are visceral and don’t hold back because the narrative doesn’t hold back. It is restricted as it starts from the end. It is the solution’s unbearable, soul-destroying strain that starts unfolding the problem, in glimpses, backwards. Taylor-Johnson uses the days of addiction as a means to delaying the resolution. Every time the audience thinks that James is making a step forward, she brings the past to the foreground as a moment of realisation that it is not going to be as easy as we would expect it to be. Alas, we get to witness James making two steps backwards, instead.

As for writer/actor Aaron Taylor-Johnson, admittedly, he has come a long way. From Kick Ass (2010) to today, he’s proved to be a diverse actor who puts heart and soul into everything he’s been in and A Million Little Pieces is no exception. My only distraction with portraying James Frey is that his physique doesn’t match a drug addicts’ physique so chances are that he didn’t want to give it up for the role – maybe, lose a couple of pounds. His acting is strong and he does go the extra mile on camera. Beside him, you can find David Dastmalchian, Billy Bob Thornton – shocking to see him being the sober one – as his mentor, and Odessa Young as James’ fellow messed up passenger in this horrendous journey. Giovani Ribisi deserves a special mention for he keeps surprising everyone with his diverse performances. Particularly here, the things he says and does are shocking and add to the situation’s decadence. Combining the two sequences, the one in the shower and the other handing over his daughter’s number to James, his journey, with the end remaining unknown, it is still complete.

Overall, I felt for James’ journey despite the controversy that surrounded the book after the real James Frey told the truth about it (I’m not going to go into it). It is one hell of a journey or, more accurately, one journey through hell that definitely raises awareness.

I very much hope you enjoy it, as well as this festive period.

Stay safe!

P.S. Juliette Lewis and Charlie Hunnam are in it as well, but I found their presence indifferent so, I’ll refer to them when I have something nice to say.

Bad Santa 2 (2016): Comedy / Crime / Drama

Bad Santa 2.jpg

Having never left the rock bottom, Willie follows again his angry sidekick and puts the Santa suit once more only, this time, to rob a Chicago charity.

Still hilarious, still politically incorrect, still Thornton and Cox! Once more, the starting monologue followed by the alley vomiting, mirror the same reality Willie still lives on, highly indicating that he learned nothing for his past mistakes and that his life never took off. Thankfully for us, this is the case and consequently, he accepts Marcus’ next job… alongside his mother. The dysfunction in the family shows straight away, and we, as the audience, get to enjoy the results.

Even though not as funny as its predecessor, Bad Santa 2 is a must-watch during the Christmas period and the perfect antidote against… soppy, yawnsome, dead-boring romance/comedies which you’d rather watch paint dry. Thornton and Cox are still the Willie and Marcus we love and Cathie Bates is a great addition to the cast! Extra round of applause deserves Brett Kelly for getting Thurman Merman’s physique to match his old self. Oh, and Christina Hendricks is as seductive as always…

You can find it here: https://amzn.to/2Qlgina