Real Steel (2011): Action/Drama/Sci-fi

In the year 2020, where robot boxing is the main sports event, an ex-boxer and his estranged son discover a robot that has the potential to win fights, but also bring them closer.

Redemption, salvation, and hope in an adventure for the whole family! This is Hollywood adventure at its best! Behind the cameras, wearing the director’s hat, Shawn Levy, and wearing the producers’ hat, Robert Zemeckis and Steven Spielberg create a wonderful and inspiring story, for kids and adults alike. Based on the short story by Richard Matheson, John Gantis’ screenplay focuses on the estranged father/son relationship, and through robot boxing, the journey of reconciliation. Atom becomes the Deus ex machina of hope for them two and, consequently, for all of us who have stopped or forgot looking for it. The “David vs Goliath” fight is as old as the Bible, and, to his day, it still inspires, again, kids and adults alike, to face our fears and keep walking regardless of what life throws at us. The “delay of resolution” narrative technique fits perfectly here as both the story and character development unfold in an old-fashioned way, avoiding gimmicks, easy ways out, and yawnsome obstacles that stagnate the story.

Hugh Jackman and Dakota Goyo make an incredible father-son duo, Anthony Mackie, Hope Davis, the late James Rebhorn, and Kevin Durand complete the fantastic cast but… Evangeline Lilly is the one who lights up the room every time she’s in the shot. Her acting simply evokes all the intended emotions and her appearance is just mesmerising. Another special reference deserves the film’s editor Dean Zimmerman who spots the solid acting, isolates those responses, and places them exactly where they need to be placed to amplify the suspense, but also the drama. When you get a chance to watch it – or re-watch it – pay attention to the final battle between Atom and Zeus and see how these reactions within the action enhance the passion. When and how often he cuts to each character, but also how long he cuts to them makes the whole difference in the world. I’m not gonna bore you with it, and don’t really pay too much attention as you’ll miss the most important part; the story itself.

Probably my favourite Shawn Levy film, as much as I’m fond of all of his films in general. Definitely worth a watch and re-watch. With a plague hovering over our heads for over two years now, any inspiration is welcome.

Stay safe!

P.S. From the simplest boxing moves to the “rope-a-dope” technique, was all supervised by Sugar Ray Leonard himself.

Synchronic (2019): Drama / Horror / Sci-Fi

A new drug on the streets, causing obscure and mystical effects, will make two paramedics from New Orleans reevaluate life.

The trippy, otherworldly, and oneiric opening sequence pins you down and gets your undivided attention. Steve (Anthony Mackie) and Dennis (Jamie Dornan) become immediately relatable from the get-go while you are trying to establish how is everything connected. As the incidents increase, the plot’s mystery and intricacy are accompanied by an equally dramatic subplot and both of them unfold together on Jimmy LaValle’s amazing soundtrack that expresses the characters’ psychosynthesis.

In my humble opinion though the film reaches its peak with the heartbreaking sequence of Steve’s dog, Hawking – honestly, I couldn’t breathe properly. Steve realises how the drug works and, from then on, it becomes too explanatory too fast for my taste, disillusioning too early an experience that stops raising questions anymore. Having said that, please, don’t let it discourage you. Watch it as it is a great low budget, indie sci-fi, and both Mackie and Dornan do a great job in front of the camera.

Behind the camera, writers/directors/producers/cinematographers/editors Justin Benson and Aaron Moorhead prove once more their unquestionable talent. From Resolution (2012) to Spring (2014), to The Endless (2017), to Synchronic, they constantly prove that filmmakers don’t need millions of dollars to bring to life something innovative; something that follows certain rules, breaks others, and, ultimately, still manages to be groundbreaking, didactic, and entertaining. Twenty years ago, Christopher Nolan started on small budgets and then the world became his oyster. As Steven Spielberg did thirty years before him. It seems that the filmmaking partners Benson and Moorhead, gradually, are given more and more funding. If they stick to their unique point of view – and don’t get sucked by Hollywood – they will keep performing cinematic miracles.

Stay safe!

Outside the Wire (2021): Action / Adventure / Fantasy

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A disgraced rookie drone pilot and a prototype android officer are sent to enemy territory to stop a nuclear attack.

Very bad from the very beginning! Having served in the special forces, let me put it this way: There is NO WAY you can get away with what Harp did! You are done! Finished! In and outside the army! From thousand of miles away, eating gummy bears, chilled, while marines in the battlefield drop like flies, and then you kill your own! NO. WAY.

I would say that from then on the film goes downhill but this would require for it to have started from a certain height. It starts from the bottom and stays there. It miserably fails to evoke any emotion at any level in all three acts. No suspense, no drama, no humour, no relatable action, no relatable characters, and then, no science, no reason, confused moral compass, and confused geographic compass. All the confusions and the no’s are nothing but the result of a bad production that is the result of a terrible script. It is like John Wick (2014) meets Terminator 2 (1991) meets Lord of War (2005) that finally meets none of the above and fosters a two-hour, old-fashioned, American, propagandistic, nonsensical, pedantic mashup of nothingness.

I do value Netflix, director Mikael Håfström, and Anthony Mackie and I hardly speak like that about the films I review. This one though undermines human intelligence and has immoral and dishonest intentions so, I’ll pretend I never watched it and move on. I suggest you do the same, and if you haven’t watched it, don’t!

Stay safe!

The Night Before (2015): Comedy / Fantasy

Three lifelong friends who are about to spend their last Christmas together, get tickets to a party that will put their lives into perspective.

Vulgar language, anecdotal situations, surreal characters… anything you can expect from a Rogen/Goldberg production. Co-writer/director Jonathan Levine teams up again Seth Rogen and Joseph Gordon-Levitt, after 50/50 (2011) and with the amazing Anthony Mackie joining the crew… the fun has started already. On a second thought, more or less, everyone has worked with someone else more than once in the past. And, of course, James Franco pops up! Oh, did I mention Michael Shannon, Lizzy Caplan, and Mindy Kaling? This is quite the gang.

This is a trippy journey that, in its vast majority, it is very much to the bone. References to Die Hard (1988), Home Alone (1990) and Charles Dickens’ “A Christmas Carol”, make it a great buddy, Christmas film, especially, in times like these. Ultimately, it’s very predictable but you wouldn’t expect anything else from a Christmas movie, even an R-rated one. In all honesty, the church sequence is hilarious and the confession moment at Caplan’s front door is quite funny. Then, the amount of improvisation by almost everyone is also admirable.

Love it or loathe it, that is the kind of comedy you sign up for. Should you decide to watch it, just go along. We all deserve a laugh these days.

Stay safe!

Point Blank (2019): Action / Crime / Thriller

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A male nurse and a crook have to team up against corrupted cops and gangsters to protect their families.

Entertaining Netflix action flick with two amazing actors, buddies from Gangster Squad (2013) and the MCU. Anthony Mackie and Frank Grillo unite once more as hero and antihero respectively and spend 24 unforgettable (screening) hours together to get theirs and their families’ lives back. Netflix knows the recipe very well and does it once more. The addition of humourous elements adds to the joy and the fast-paced thrill makes your hour and twenty minutes fly by. Joe Lynch deserves the spotlight and I hope one day he really gets it as that’s the third film I’ve seen from him and I must say that his films are highly enjoyable. Worth mentioning are also: Everly (2014) and Mayhem (2017) – Good opportunity to re-watch them and review. Very well acted by both Mackie and Grillo who make an incredible duo.

Don’t fall for the negativity. Especially, in unfortunate and difficult times that all of us are facing at the moment, films like Blank Point make us forget how gloomy and nasty it is out there. Sit back, relax, and enjoy. And always stay safe!