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Die Alone (2024)
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May 20, 2025
Presence (2024)
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May 19, 2025
The Damned (2024)
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May 18, 2025
A Different Man (2024)
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May 14, 2025
It’s What’s Inside (2024)
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May 13, 2025
Vadakkan (2025)
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May 12, 2025
Mother’s Instinct (2018)
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May 9, 2025
Last Breath (2025)
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May 8, 2025
The Monkey (2025)
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May 7, 2025
Havoc (2025)
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May 6, 2025
Sinners (2025)
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April 20, 2025
Warfare (2025)
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April 15, 2025
Wolf Man (2025)
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April 1, 2025
The Woman in the Yard (2025)
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March 16, 2025
We Live in Time (2024)
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March 10, 2025
Anora (2024)
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March 7, 2025
Wisdom
Fun Facts
Did You Know…
Film Analyses
The Leftovers – A Lonely Journey Through Loss, Faith, and Human Fragility
Film Analyses
January 10, 2025
The Importance of Dystopia in Sci-fi / Horror
Film Analyses
May 5, 2021
Powerful Sequences, Defining Soundtracks
Film Analyses
January 12, 2021
Found Footage: The Beginning, the Escalation, and its Societal Impact
Film Analyses
October 21, 2020
The Horror Inside Us: Leading Anxieties and False Certainties
Film Analyses
October 7, 2020
Directors and Horror Films (Podcast)
Film Analyses
September 23, 2020
Kids in Horror: Source of Evil vs Source of Resolution (Podcast)
Film Analyses
September 9, 2020
Influential, Dissuasive, and Thought-Provoking Monologues
Film Analyses
July 13, 2020
Epic Plot Holes in Iconic Films
Film Analyses
May 11, 2020
This is England ’83 / ’86 / ’88 / ’90
Film Analyses
March 12, 2020
The Qatsi Trilogy
Film Analyses
January 24, 2020
Original vs Remake: Hollywood’s Need to Retell the Story (or the Lack Thereof)
Film Analyses
November 11, 2019
Indie, Low Budget, and Utterly Mind-Bending
Film Analyses
September 11, 2019
Adapting 300: Mise-en-scène and Visual Effects
Film Analyses
July 11, 2019
True Detective (2014 – 2019): Reflections on Narrative and Character Development
Film Analyses
May 11, 2019
Found Footage: Chronicles of Horror, Realism, and Case Studies
Film Analyses
March 11, 2019
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Andrea Berntzen
Tag: Andrea Berntzen
Drama
Utoya: July 22 (2018)
Kay
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November 29, 2024
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