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Red Rooms (2023)
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January 8, 2025
The Critic (2024)
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January 5, 2025
Nosferatu (2024)
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January 4, 2025
Seeking a Friend for the End of the World (2012)
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December 31, 2024
Babygirl (2024)
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December 31, 2024
Knox Goes Away (2024)
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December 31, 2024
Tetris (2023)
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December 30, 2024
In Bruges (2008)
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December 24, 2024
Silent Night, Deadly Night (1984)
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December 24, 2024
Serendipity (2001)
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December 24, 2024
Carry-On (2024)
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December 21, 2024
Terrifier 3 (2024)
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December 19, 2024
Black Doves (2024)
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December 15, 2024
Christmas Bloody Christmas (2022)
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December 12, 2024
Bird (2024)
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December 11, 2024
Heretic (2024)
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December 10, 2024
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The Leftovers – A Lonely Journey Through Loss, Faith, and Human Fragility
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January 10, 2025
The Importance of Dystopia in Sci-fi / Horror
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May 5, 2021
Powerful Sequences, Defining Soundtracks
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January 12, 2021
Influential, Dissuasive, and Thought-Provoking Monologues
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July 13, 2020
Epic Plot Holes in Iconic Films
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May 11, 2020
This is England ’83 / ’86 / ’88 / ’90
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March 12, 2020
The Qatsi Trilogy
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January 24, 2020
Original vs Remake: Hollywood’s Need to Retell the Story (or the Lack Thereof)
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November 11, 2019
Indie, Low Budget, and Utterly Mind-Bending
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September 11, 2019
Adapting 300: Mise-en-scène and Visual Effects
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July 11, 2019
True Detective (2014 – 2019): Reflections on Narrative and Character Development
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May 11, 2019
Found Footage: Chronicles of Horror, Realism, and Case Studies
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March 11, 2019
Minority Report: Visual Effects and Storytelling
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January 11, 2019
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Andrea Arnold
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Bird (2024)
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December 11, 2024
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