More

    Suspiria (2018)

    Berlin 1977: A girl arrives at a world-renowned dancing school only to discover obscure entities harbouring haunting secrets.

    Suspiria is a prime example of the endless highbrow/lowbrow “battle”. The reviews escalate from 1/10 to 10/10 and back in the blink of an eye. It is not for everyone! Expel the Hollywood narrative prior to entering into this world of darkness. Know the kind of films you like and the kind you don’t. Have you ever seen me reviewing a comedy/romance? I would come back and slate every frame of it. But I’ve said before, I’m not here to slate films. I’m reviewing their parameters and examining their intentions. Pick a narrative you like and should you choose to go for something different, which I highly recommend every now and again, don’t rip it apart straight after.

    Even though a remake of Dario Argento’s Suspiria (1977), Luca Guadagnino’s homonymous paganistic world runs almost a full hour longer than the original, acting more as exploration or expansion and preparation for the “Three Mothers” trilogy (Make sure to stay for the post-credits scene).

    If you like watching a film and paying attention to details simultaneously, then directing, photography, and certain montage sequences, i.e. Susie dancing and Olga… suffering, will blow your mind away. If you are also into experimental cinema, you’ll love the storytelling and, consequently, the film as a whole.

    I knew Dakota Johnson had had her big breakthrough with the 50 Shades of Grey trilogy, but as I really tried and failed to watch even the first one, I was not familiar with her acting skills. Here, she definitely commits to the project and proves herself more than worthy. She completed two years of ballet training prior to taking this role and excels at her diversity, and I take my hat off to her.

    Then there is the one and only Tilda Swinton, who, like the amazing Kate Blanchet, can master any role as a woman as much as a man of her age, younger, older, or really freaking old. In this instance, she is three entirely different characters. I couldn’t admire her more. Plus, she just doesn’t get old! She is like a female Keanu Reeves!!!

    Please, don’t forget to share, and subscribe. If you enjoy my work and dedication to films, please feel free to support me on https://www.patreon.com/kaygazpro. Any contribution is much appreciated and valued.

    Solidarity for all the innocent lives who suffer the atrocities of war!

    Stay safe!

    REVIEW OVERVIEW

    Latest articles

    Carry-On (2024)

    Brian De Palma

    The Last Mission (1949)

    Terrifier 3 (2024)

    spot_imgspot_img

    Related post

    1 Comment