Robert Altman

November 3, 2024

“I probably am a lazy artist and probably don’t control things as much as some people would like – but that’s my business. And if my style is too loose or improvised for some people’s taste, that’s their problem – totally.”

Juror #2 (2024)

Escape Room: Tournament of Champions (2021)

A Quiet Place: Day One (2024)

What You Wish For (2023)

Tigers Are Not Afraid (2017)

Utoya: July 22 (2018)

Conclave (2024)

Monkey Man (2024)

Megalopolis (2024)

Pieces of April (2003)

Thanksgiving (2023)

Appendage (2023)

The Guilty (2018)

The Vigil (2019)

Outside (2024)

Monolith (2022)

The Importance of Dystopia in Sci-fi / Horror

Powerful Sequences, Defining Soundtracks

Influential, Dissuasive, and Thought-Provoking Monologues

Epic Plot Holes in Iconic Films

This is England ’83 / ’86 / ’88 / ’90

The Qatsi Trilogy

Original vs Remake: Hollywood’s Need to Retell the Story (or the Lack Thereof)

Indie, Low Budget, and Utterly Mind-Bending

Adapting 300: Mise-en-scène and Visual Effects

True Detective (2014 – 2019): Reflections on Narrative and Character Development

Found Footage: Chronicles of Horror, Realism, and Case Studies

Minority Report: Visual Effects and Storytelling

Robert Altman

Juror #2 (2024)

Escape Room: Tournament of Champions (2021)

A Quiet Place: Day One (2024)

What You Wish For (2023)