Robert Altman

November 3, 2024

“I probably am a lazy artist and probably don’t control things as much as some people would like – but that’s my business. And if my style is too loose or improvised for some people’s taste, that’s their problem – totally.”

Die Alone (2024)

Presence (2024)

The Damned (2024)

A Different Man (2024)

It’s What’s Inside (2024)

Vadakkan (2025)

Mother’s Instinct (2018)

Last Breath (2025)

The Monkey (2025)

Havoc (2025)

Sinners (2025)

Warfare (2025)

Wolf Man (2025)

The Woman in the Yard (2025)

We Live in Time (2024)

Anora (2024)

The Leftovers – A Lonely Journey Through Loss, Faith, and Human Fragility

The Importance of Dystopia in Sci-fi / Horror

Powerful Sequences, Defining Soundtracks

Found Footage: The Beginning, the Escalation, and its Societal Impact

The Horror Inside Us: Leading Anxieties and False Certainties

Directors and Horror Films (Podcast)

Kids in Horror: Source of Evil vs Source of Resolution (Podcast)

Influential, Dissuasive, and Thought-Provoking Monologues

Epic Plot Holes in Iconic Films

This is England ’83 / ’86 / ’88 / ’90

The Qatsi Trilogy

Original vs Remake: Hollywood’s Need to Retell the Story (or the Lack Thereof)

Indie, Low Budget, and Utterly Mind-Bending

Adapting 300: Mise-en-scène and Visual Effects

True Detective (2014 – 2019): Reflections on Narrative and Character Development

Found Footage: Chronicles of Horror, Realism, and Case Studies

Robert Altman

Olivia Colman

Cinema: Bridging the Gap Between the Industry and the Academia

A Man and a Woman (1966)

Jean-Luc Godard