An American airborne unit lands in Nazi-occupied France only to discover a horror beyond the Nazis.
Brutal, savage, and sadistic, Overlord keeps you on the edge of your seat. If there is anything worse than the Nazis, that is the realization of their twisted psychosis. Focusing on “Operation Overlord”, an operation that took place in parallel with “Operation Neptune” (both of them put together became known as D-Day), J.J. Abrams produces Julius Avery’s historical horror where Band of Brothers (2001) meets the Night of the Living Dead (1968).
Strong first act with an even stronger opening sequence, practical visual effects that beat CGI every single time, and acting that makes its implausibility easy to swallow. Is it flawless? Nope. Is it to be taken seriously? Not really. Does one forget their problems for almost two hours and get sucked in? Hell. Yeah.
A lot of unnecessary negativity surrounds the film, but people tend to overlook sometimes why a film could have possibly been made, the purpose it might serve, and the unpredictable outcome an experimental genre mixture may have.
I’ve said this before, I’m saying it again, and I will keep on saying it: I don’t aim at the film but the intentions behind it.
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Solidarity for all the innocent lives who suffer the atrocities of war!
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