Kathryn Bigelow

March 15, 2026

“If there’s specific resistance to women making movies, I just choose to ignore that as an obstacle for two reasons: I can’t change my gender, and I refuse to stop making movies.”

The Zone of Interest (2023)

Dead Mail (2024)

Good Luck, Have Fun, Don’t Die (2025)

I Swear (2025)

Pig Hill (2025)

The Wrecking Crew (2026)

Scream 7 (2026)

Shelter (2026)

The Lost Bus (2025)

The Surrender (2025)

Cold Storage (2026)

Rosemead (2025)

War Machine (2026)

Relay (2024)

The Plague (2025)

Bad Genius (2024)

The Leftovers – A Lonely Journey Through Loss, Faith, and Human Fragility

The Importance of Dystopia in Sci-fi / Horror

Prisons: Depravity and Decadence in Horror / Sci-fi… and in Real Life

Asylums: Factual Mental Illness vs Artistically Deranged Projection (Podcast)

Score Composition for Dark and Eerie Sequences (Podcast)

Edgar Allan Poe: The Man, The Myth, His Legacy (Podcast)

Powerful Sequences, Defining Soundtracks

The Psychology of Horror: Preparedness and Purpose (Podcast)

Silent Era: The Foundation of Cinematic Horror (Podcast)

Found Footage: The Beginning, the Escalation, and its Societal Impact (Podcast)

The Horror Inside Us: Leading Anxieties and False Certainties (Podcast)

Directors and Horror Films (Podcast)

Kids in Horror: Source of Evil vs Source of Resolution (Podcast)

Influential, Dissuasive, and Thought-Provoking Monologues

Epic Plot Holes in Iconic Films

This is England ’83 / ’86 / ’88 / ’90

Kathryn Bigelow

Apples (2020)

The Zone of Interest (2023)

Luis Buñuel

Dead Mail (2024)