Jane Campion

April 27, 2025

“Performers are so vulnerable. They’re frightened of humiliation, sure their work will be crap. I try to make an environment where it’s warm, where it’s OK to fail — a kind of home, I suppose.”

Tron: Ares (2025)

Woman of the Hour (2023)

The Invitation (2015)

Guillermo Del Toro’s Cabinet of Curiosities (2022)

Creepshow 2 (1987)

Creepshow (1982)

Dead of Winter (2025)

Good Boy (2025)

Vicious (2025)

Night of the Reaper (2025)

V/H/S/Halloween (2025)

24 Hour Party People (2002)

The Accountant 2 (2025)

The Cut (2024)

Him (2025)

The Long Walk (2025)

The Leftovers – A Lonely Journey Through Loss, Faith, and Human Fragility

The Importance of Dystopia in Sci-fi / Horror

Asylums: Factual Mental Illness vs Artistically Deranged Projection (Podcast)

Edgar Allan Poe: The Man, The Myth, His Legacy (Podcast)

Powerful Sequences, Defining Soundtracks

The Psychology of Horror: Preparedness and Purpose (Podcast)

Silent Era: The Foundation of Cinematic Horror (Podcast)

Found Footage: The Beginning, the Escalation, and its Societal Impact (Podcast)

The Horror Inside Us: Leading Anxieties and False Certainties (Podcast)

Directors and Horror Films (Podcast)

Kids in Horror: Source of Evil vs Source of Resolution (Podcast)

Influential, Dissuasive, and Thought-Provoking Monologues

Epic Plot Holes in Iconic Films

This is England ’83 / ’86 / ’88 / ’90

The Qatsi Trilogy

Original vs Remake: Hollywood’s Need to Retell the Story (or the Lack Thereof)

Jane Campion

Julie Taymor

Farewell My Concubine (1993)

Tron: Ares (2025)

Dream Logic: How Cinema Decodes the Mind