Jane Campion

April 27, 2025

“Performers are so vulnerable. They’re frightened of humiliation, sure their work will be crap. I try to make an environment where it’s warm, where it’s OK to fail — a kind of home, I suppose.”

Carnage for Christmas (2024)

Hellboy: The Crooked Man (2024)

The Carpenter’s Son (2025)

Troll 2 (2025)

Shelby Oaks (2024)

Roofman (2025)

Sisu: Road to Revenge (2025)

Sisu (2022)

One Battle After Another (2025)

Violent Ends (2025)

Anemome (2025)

Now You See Me: Now You Don’t (2025)

Now You See Me 2 (2016)

Now You See Me (2013)

Frankenstein (2025)

Tron: Ares (2025)

The Leftovers – A Lonely Journey Through Loss, Faith, and Human Fragility

The Importance of Dystopia in Sci-fi / Horror

Asylums: Factual Mental Illness vs Artistically Deranged Projection (Podcast)

Score Composition for Dark and Eerie Sequences (Podcast)

Edgar Allan Poe: The Man, The Myth, His Legacy (Podcast)

Powerful Sequences, Defining Soundtracks

The Psychology of Horror: Preparedness and Purpose (Podcast)

Silent Era: The Foundation of Cinematic Horror (Podcast)

Found Footage: The Beginning, the Escalation, and its Societal Impact (Podcast)

The Horror Inside Us: Leading Anxieties and False Certainties (Podcast)

Directors and Horror Films (Podcast)

Kids in Horror: Source of Evil vs Source of Resolution (Podcast)

Influential, Dissuasive, and Thought-Provoking Monologues

Epic Plot Holes in Iconic Films

This is England ’83 / ’86 / ’88 / ’90

The Qatsi Trilogy

Jane Campion

Diablo Cody

Carnage for Christmas (2024)

Hellboy: The Crooked Man (2024)

A Blast (2014)