A highly trained hitman decides to retire, but the organisation he works for sends… a younger version of him to execute him.
Watching the trailer, I couldn’t see how there would be a mind-blowing twist somewhere. There isn’t. More or less, what you see is what is to be expected: Will Smith vs Will Smith. For a film that started being developed in the ’90s, with so many different names attached over the years, with the torch being passed on from studio to studio… the script is poorly developed. IMDb couldn’t care less about a logline that gives away the plot. Script-wise, there is nothing really fascinating at all. I think this is the first Ang Lee film I have ever watched, and I wondered why he signed up for this. The film has two impressive sequences: the motorbike chase (Smith vs Smith) and the hand-to-hand combat (Smith vs Smith). All the credits should be shared amongst the visual effects department for coming through with some ground-breaking visuals, the sound effects department, and the frequent Ang Lee editor, Tim Squyres. His editing is immaculate and stitches Lee’s most difficult shots together with delicacy and finesse, creating incredible unity and continuity.
I’m really being nice here. One of the film’s six (6) nominations is from the St. Louis Film Critics Association, US, for… Worst Film of the Year! Anyway, to cut a long story short, and just in case you haven’t figured it out by now, this is a Smith vs Smith film. I must admit, at some point, this eerie feeling overtook me that it was Deadshot fighting The Fresh Prince…
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