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    Crash (2004)

    People from every walk of life, dealing with loss, racism, and life itself, collide with each other in the city of Angels.

    Find the one you hate the most. You’ll like them later on. Find the one you relate with the most. You’ll hate them in the end. Welcome to a world where all East Asians are Chinese. All South Americans are Mexicans. All Middle Easterners are “Osama”. All blacks are criminals. And all whites are rednecks.

    Racism, bigotry, misanthropy… passed on from one to the next, by white to brown, to black to yellow, to another shade of skin colour and back to where it started, in an endless spiral of hatred that has no beginning but hopefully one day an end. Wait, there is more! Colour is not enough. Where do you stand in this world? Are you educated? What is your financial and societal status? You work for the government or against the government? Either way, you are a criminal. You have principles? How much?

    Crash includes an amazing ensemble cast and deeply explores the aforementioned, yet its message focuses on overcoming the notion that everyone is a victim, whoever is different is the enemy, and it is always someone else’s fault. People’s interconnectedness extends to their feelings, too; loss, love, pride, shame, isolation, belonging, loneliness, redemption and regret… all blend into one, making it easier to accuse everyone we don’t know for ostensibly having everything we always longed for. Until we realised we wanted more…

    Change will not happen miraculously. A legend said it once best: “I’m starting with the man in the mirror…”

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    Solidarity for all the innocent lives who suffer the atrocities of war!

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