Film Analyses

The Leftovers – A Lonely Journey Through Loss, Faith, and Human Fragility

January 10, 2025

True Detective (2014 – 2019): Reflections on Narrative and Character Development

May 11, 2019

Intentions / Purpose How do I begin? I guess from the beginning is always a good start…It might, but, on the other hand, is it...

Found Footage: Chronicles of Horror, Realism, and Case Studies

March 11, 2019

“Found Footage” can be and has already been applied to numerous genres throughout the years, sometimes successfully, sometimes not so much, and on occasion...

Minority Report: Visual Effects and Storytelling

January 11, 2019

Three Precogs can tell a crime before it happens. If all three agree, it will happen. But what if they don’t? In Minority Report,...

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Roofman (2025)

Sisu: Road to Revenge (2025)

Sisu (2022)

One Battle After Another (2025)

Violent Ends (2025)

Anemome (2025)

Now You See Me: Now You Don’t (2025)

Now You See Me 2 (2016)

Now You See Me (2013)

Frankenstein (2025)

Tron: Ares (2025)

Woman of the Hour (2023)

The Invitation (2015)

Guillermo Del Toro’s Cabinet of Curiosities (2022)

Creepshow 2 (1987)

Creepshow (1982)

The Leftovers – A Lonely Journey Through Loss, Faith, and Human Fragility

The Importance of Dystopia in Sci-fi / Horror

Asylums: Factual Mental Illness vs Artistically Deranged Projection (Podcast)

Score Composition for Dark and Eerie Sequences (Podcast)

Edgar Allan Poe: The Man, The Myth, His Legacy (Podcast)

Powerful Sequences, Defining Soundtracks

The Psychology of Horror: Preparedness and Purpose (Podcast)

Silent Era: The Foundation of Cinematic Horror (Podcast)

Found Footage: The Beginning, the Escalation, and its Societal Impact (Podcast)

The Horror Inside Us: Leading Anxieties and False Certainties (Podcast)

Directors and Horror Films (Podcast)

Kids in Horror: Source of Evil vs Source of Resolution (Podcast)

Influential, Dissuasive, and Thought-Provoking Monologues

Epic Plot Holes in Iconic Films

This is England ’83 / ’86 / ’88 / ’90

The Qatsi Trilogy

Film Analyses