On Christmas Eve, a group of sorority girls are getting murdered one by one by an escaped psychopath who used to live in their house as a kid.
Blood, gore, incest, cannibalism, and sexualised females all up for the Christmas spirit. What can I say… Black Christmas is the poster child of standard Hollywood horror films that leave nothing to the imagination. All information is dumbed down and thoroughly explained, which speaks volumes regarding the audience it aims to address. Based on Roy Moore’s 1974 original script, writer/director Glen Morgan creates a film that does a colossal disservice to the original film and, unfortunately, drags everything and everyone down with him. IMDb classifies it just as horror, but the comedic elements cannot be hidden. If they were not meant to be comedic… well, they are anyway.
I could name and number everything wrong with the film, but I won’t. It will be like kicking down a film that has already suffered atrocious reviews, and Morgan himself paid a hefty price for making this film. The only actress who made a successful career after Black Christmas is Mary Elizabeth Winstead, who still proves to be an absolute gem. Don’t take my word for it; see Kate (2021). Personally, I find Yan-Kay Crystal Lowe a gem that needs a lot more spotlight.
Reportedly, Morgan disowned his own film and blamed the Weinstein brothers for it. If anything, that’s the only reason I’m glad it didn’t do well. Out of the four Christmas horrors I reviewed this festive period, this one comes by far fourth, with:
- Dead End (2003) coming third,
- Better Watch Out (2017) coming marginally second, and…
- Krampus (2015) definitely coming first.
I hope you enjoy this festive period!
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Solidarity for all the innocent lives who suffer the atrocities of war!
Stay safe!
