After his wife dies, a bad-tempered old man loses the will to live, especially when his new neighbours arrive.
Loneliness, old age, cynicism… and not necessarily in that order. Right off the bat, from the opening sequence, Ove (Rolf Lassgård) steals the show as the non-bending tree that will take on the whole world. A man who was once fortunate enough to find happiness, but sadly and abruptly, that happiness left him.
The initial emotional flashback provides the right information about who Ove was before becoming the dishevelled version of his current self. The sweet and sour present, the dark humour of the twisted fate that doesn’t allow him to leave life on his own terms, will make you smile while, strangely, making your heart skip a beat. As the flashbacks unfold, his younger self’s social awkwardness, the determination to overcome it, and the introduction of the wonderful Sonja add plenty of colour to the life of a man who paints it all black. From then on, fate’s mysteries and intricacies will lead you to something you will have to see for yourselves.
Based on the novel by Fredrik Backman, writer/director Hannes Holm creates an incredibly nostalgic comedy/drama for all ages and sexes, and 27 wins and 18 nominations – 2 Oscars amongst them – are not enough to praise this Swedish quality of a film. Rolf Lassgård, Bahar Pars, Ida Engvoll, and Filip Berg’s performances are priceless – including Orlando and Magic, the two cats involved. For the life of me, in the end, I “saw” the black hole of despair Ove was in, but before I got sucked in, I got pulled out by… Sonja. You’ll see…
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