On Christmas Eve, Ebenezer Scrooge gets three visits from spirits that show him the error of his ways.
Unarguably, the darkest adaptation of Charles Dickens’s classic Christmas tale to date. Right off the bat, poisonous truths emerge from Ebenezer’s mouth, almost impossible to argue with. Why are we nice to each other only once a year? But its darkness doesn’t solely lie in the writing’s truths. It lies in the acting and, above all, the haunting photography. A constant darkness from the opening sequence to the end credits. Keep these elements in mind for what comes next.
The Ghost of Christmas Past takes him on a journey that leaves some… eerie details to the imagination. Excellent storytelling that will get your undivided attention in an attempt to process if the story you’ve read and watched repeatedly in the past is currently taking the direction you suspect it does. And it does, indeed.
The Ghost of Christmas Present shows him the consequences of that past, a past that seems ostensibly irredeemable. It picks on the nineteenth century’s socioeconomic problems that could not be a better fit for today (massively pounding on capitalism!). The emphasis on that family’s love and what he had been deprived of and consequently never knew existed smoothly shapes Ebenezer into what the spirits hope he will become.
The Ghost of Christmas Future is meant to be the real treat, the relentless. But here, unfortunately, the TV adaptation starts losing ground, and the role of the Ghost of Christmas Future is cut short. The mini-series becomes too explanatory for an audience that is by now clear that it is not kids. Thus, certain explanations are not needed, but they are given nonetheless. Then, everything happens too fast, as if the filmmakers suddenly realised that the mini-series runtime is coming to an end and they must hurry. But then, more explanations are given, forgetting the “show, don’t tell” rule. Furthermore, in the end, the story feels incomplete as the denouement does not address certain issues, i.e., “redemption” from his nephew or the coal miners’ families.
Guy Pearce, Andy Serkis, Stephen Graham, Jason Flemyng, Johnny Harris, and Charlotte Riley are only a few of Britain’s finest actors performing brilliantly in front of the camera. Joe Alwyn and Vinette Robinson make excellent additions to that cast and play a significant role in the story’s development. Behind the camera. Steven Night, Ridley Scott, and Tom Hardy, among others, put on the producer’s hat and – in my humble opinion – must have done some serious pitching to the BBC to take on such distribution. I guess if you are about to adapt a classic that has been adapted numerous times before, you may as well do it in a way that it has never been done before.
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Solidarity for all the innocent lives who suffer the atrocities of war!
Stay safe, and… Merry Christmas!!!
