Albert Maysles

September 8, 2025

“As a documentarian, I happily place my faith in reality. It is my caretaker, the provider of subjects, themes, experiences – all endowed with the power of truth and the romance of discovery.”

The Bride (2026)

Undertone (2025)

Rabbit Trap (2025)

Crime 101 (2026)

Magazine Dreams (2023)

Until Dawn (2025)

Thrash (2026)

Mother of Flies (2025)

Pretty Lethal (2026)

Saltburn (2023)

Project Hail Mary (2026)

The Roses (2025)

The Zone of Interest (2023)

Dead Mail (2024)

Good Luck, Have Fun, Don’t Die (2025)

I Swear (2025)

The Leftovers – A Lonely Journey Through Loss, Faith, and Human Fragility

The Importance of Dystopia in Sci-fi / Horror

Prisons: Depravity and Decadence in Horror / Sci-fi… and in Real Life

Asylums: Factual Mental Illness vs Artistically Deranged Projection (Podcast)

Score Composition for Dark and Eerie Sequences (Podcast)

Edgar Allan Poe: The Man, The Myth, His Legacy (Podcast)

Powerful Sequences, Defining Soundtracks

The Psychology of Horror: Preparedness and Purpose (Podcast)

Silent Era: The Foundation of Cinematic Horror (Podcast)

Found Footage: The Beginning, the Escalation, and its Societal Impact (Podcast)

The Horror Inside Us: Leading Anxieties and False Certainties (Podcast)

Directors and Horror Films (Podcast)

Kids in Horror: Source of Evil vs Source of Resolution (Podcast)

Influential, Dissuasive, and Thought-Provoking Monologues

Epic Plot Holes in Iconic Films

This is England ’83 / ’86 / ’88 / ’90

Albert Maysles

Bruce Wayne is not Batman

The Bride (2026)

300 (2006)

Peter Bogdanovich