Raymond Chandler

January 24, 2025

“The challenge of screenwriting is to say much in little and then take half of that little out and still preserve an effect of leisure and natural movement.”

Latest articles

All About My Mother (1999)

She Said (2022)

Last Straw (2023)

Mission: Impossible – The Final Reckoning (2025)

Final Destination: Bloodlines (2025)

Die Alone (2024)

Presence (2024)

The Damned (2024)

A Different Man (2024)

It’s What’s Inside (2024)

Vadakkan (2025)

Mother’s Instinct (2018)

Last Breath (2025)

The Monkey (2025)

Havoc (2025)

Sinners (2025)

Warfare (2025)

Wolf Man (2025)

The Leftovers – A Lonely Journey Through Loss, Faith, and Human Fragility

The Importance of Dystopia in Sci-fi / Horror

Powerful Sequences, Defining Soundtracks

Found Footage: The Beginning, the Escalation, and its Societal Impact

The Horror Inside Us: Leading Anxieties and False Certainties

Directors and Horror Films (Podcast)

Kids in Horror: Source of Evil vs Source of Resolution (Podcast)

Influential, Dissuasive, and Thought-Provoking Monologues

Epic Plot Holes in Iconic Films

This is England ’83 / ’86 / ’88 / ’90

The Qatsi Trilogy

Original vs Remake: Hollywood’s Need to Retell the Story (or the Lack Thereof)

Indie, Low Budget, and Utterly Mind-Bending

Adapting 300: Mise-en-scène and Visual Effects

True Detective (2014 – 2019): Reflections on Narrative and Character Development

Found Footage: Chronicles of Horror, Realism, and Case Studies

Raymond Chandler

Last Straw (2023)

Titanic (1997)

George Lucas

The Unknown Woman (1956)