Raymond Chandler

January 24, 2025

“The challenge of screenwriting is to say much in little and then take half of that little out and still preserve an effect of leisure and natural movement.”

Latest articles

All About My Mother (1999)

In the Middle of the Night

Carnage for Christmas (2024)

Hellboy: The Crooked Man (2024)

The Carpenter’s Son (2025)

Troll 2 (2025)

Shelby Oaks (2024)

Roofman (2025)

Sisu: Road to Revenge (2025)

Sisu (2022)

One Battle After Another (2025)

Violent Ends (2025)

Anemome (2025)

Now You See Me: Now You Don’t (2025)

Now You See Me 2 (2016)

Now You See Me (2013)

Frankenstein (2025)

Tron: Ares (2025)

The Leftovers – A Lonely Journey Through Loss, Faith, and Human Fragility

The Importance of Dystopia in Sci-fi / Horror

Asylums: Factual Mental Illness vs Artistically Deranged Projection (Podcast)

Score Composition for Dark and Eerie Sequences (Podcast)

Edgar Allan Poe: The Man, The Myth, His Legacy (Podcast)

Powerful Sequences, Defining Soundtracks

The Psychology of Horror: Preparedness and Purpose (Podcast)

Silent Era: The Foundation of Cinematic Horror (Podcast)

Found Footage: The Beginning, the Escalation, and its Societal Impact (Podcast)

The Horror Inside Us: Leading Anxieties and False Certainties (Podcast)

Directors and Horror Films (Podcast)

Kids in Horror: Source of Evil vs Source of Resolution (Podcast)

Influential, Dissuasive, and Thought-Provoking Monologues

Epic Plot Holes in Iconic Films

This is England ’83 / ’86 / ’88 / ’90

The Qatsi Trilogy

Raymond Chandler

Diablo Cody

Carnage for Christmas (2024)

Hellboy: The Crooked Man (2024)

A Blast (2014)