A chef finds himself getting killed over and over by anyone he knows.
Completed through the 48 Hour Film Project in Shanghai and winner of GOLD BEST MICROSHORT, SILVER BEST HORROR SHORT, SILVER BEST DARK COMEDY at the OCTOBER 2019 edition of Independent Shorts Awards (ISA), Ostinato marks the narrative debut for Luke Luoh. As I point out in most of my reviews, the film’s intentions are what I am always aiming at and Ostinato, even though it knows exactly where it stands, doesn’t disclose its intentions from the start. It sets off as a comedy/horror, ostensibly entertaining you, but towards the end of Act II, it gets your mind to start thinking in reverse.
From a narrative point of view, Luoh follows the paradigmatic narration – each segment introduces a new story, location, character, etc. So, it can be viewed as a short film within a short film, with every story having a beginning, a middle, and an end. The editing contributes to this narration enhancement by making the sum bigger than its parts. You will eventually get something at the film’s second plot point – the bridge between Act II and III. Be it as it may, this cerebral film wouldn’t be the same if all the actors, especially the Makeup and the Special Effects Makeup artists, hadn’t done the AWESOME job they did. Last but not least, pay attention to Kaunas’ photography and his interesting choice of “red”.
Leaving no one out, all cast and crew deserve a round of applause for the film’s final cut. If you are not adept at music terminology or do not know what the title means, watch the film first and only then ask yourselves, how many times can one die? Well, in this case, as many times as one can…
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