A translator in Japan becomes a prime suspect after her friend goes missing, and her utterances and actions only worsen the situation for her.
Enigmatic, slow-burn, awkward. Mystery surrounds not only what Lucy Fly says and does but what everyone says and does. Interestingly enough, there is no character development, as all characters are already developed. The amazing is how we get to wonder throughout the film how everyone got there. As for the story itself, the fabula and the syuzhet create a storyline that balances the generic – the life as an ex-pat in Japan, and the specific – Lucy Fly’s paranoia in her world of sadness. If, eventually, the ending is to your liking or not, this is up to you to decide.
Meticulously written, brilliantly acted, masterfully directed, and very carefully and patiently edited. Last but not least, this is arguably the best photography of the year. Netflix keeps the surprises coming, firstly because its Marketing is non-existent (I’ve said it before, and I’ll keep saying it), and secondly because it dares once more to invest in diversity, quality, and the different.
Let the ‘mystery’ bring out the best of the genre. Let the film fill the gaps whenever it’s ready. Let your mind work it out in its own way.
For Ben! How could this not remind me of you, mate? 🙂
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