After a traumatic event, a young couple moves to the Irish countryside only to face horrors that they never expected to encounter.
A lot of confusing ups and downs… The helluva suspenseful opening sequence is, intentionally or not, misleading. But arriving at the Irish countryside, Hamish Doyne-Ditmas’ beautiful photography and Christian Henson’s eerie soundtrack lead it in the right direction – meaning, towards the thrilling and the horrific. What’s more, Hannah John-Kamen and Douglas Booth’s performances also lead it in the same direction. It is writer Mark Stay and writer/director Jon Wright who don’t know where they want to lead it.
The story has all the right ingredients to be a decent modern horror, but leaving aside all the things that don’t make sense (and there is a lot of that), during the film’s scariest moments, I couldn’t help but chuckle or laugh. Were those moments meant to have that effect? I kind of doubt it. Overall, I found that the suspenseful moments lead eventually to funny moments, and it is unclear how the filmmakers intended to make the audience feel. Having seen and admired Men (2022): https://kaygazpro.com/2022/06/29/men-2022-drama-horror-sci-fi/ I totally embrace and encourage the different and the unconventional but not to the expense of “whatever the audience gets, gets”. There has to be a meaning regardless of how symbolic, intricate, or mind-blowing it is. Furthermore, the contrasting character arc between Maya and Jamie smells like “wokeism”, and I, for one, am not a fan. The characters and their development should serve the narrative and not petty politics, supported by couch fighters.
Give it a shot if you have the time. I wouldn’t prioritise it, but I wouldn’t discard it either. Let me know what you think.
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Solidarity for Ukraine 🇺🇦 🙏
P.S. It is interesting how Kristian Nairn accepted an incredibly similar role to the one he had in Game of Thrones (2011 – 2019).