VFW (2019): Action/Crime/Horror

In a not-so-distant dystopian future, a group of veterans barricades themselves in a bar to save a young woman from a drug dealer and his goonies.

Hail the man who paved the path… the great John Carpenter! Director Joe Begos honours Carpenter and Grindhouse films with a modern low-budget, gory, bloody, dystopian horror that will take you back to the 80s’ fun the movies had to offer. Great photography, great editing that defies time, space, and continuity errors, great practical make-up effects, great synthwave music that accompanies the film throughout, and great acting by Stephen Lang, William Saddler, Fred Williamson, and Martin Kove – all acting veterans that Begos gives them a chance to work together.

Just for your information, as per IMDb, the film’s budget was meant to be $20M, but when purchased by Cinestate/Fangoria, the production company that made it, it was cut down to a six-figure number. What I want to say with this is that movies are categorised as entertainment, but they belong to the film industry. It’s a business. A really tough one. So, production, management, marketing, distribution, and numerous other “gatekeepers” that you may have never heard of will influence in innumerable ways the film’s final cut. Back in the 60s, dealing with “auteurism” was illuminating and innovative. Now, nobody wants to hear it.

Back to the film, there is nothing to examine, really. VFW works as it is, I wouldn’t change anything. It’s not Devil’s Rejects (2005), but who cares. Whatever flaw you find, and you will, is highly entertaining and, potentially, meant to be found. Just forget your problems and enjoy for an hour and a half. There is enough bitterness out there for a thousand lifetimes.

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Solidarity for Ukraine πŸ‡ΊπŸ‡¦ πŸ™

Stay safe!

P.S. Not long after the film’s wrap, Cinestate was shut down because one of the producers was ultimately revealed to be the Harvey Weinstein of indie cinema. Fear not though, other pieces of shit like him who knew all about it and covered it up went on to work for other production companies whose films most or some of us have thoroughly enjoyed. Yeah…

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