In a dystopian future, six soldiers are tasked with the transport of a mysterious package to a safe place that has the ability to end the civil war that has ravaged the country.
The vicious and dramatic opening sequence provides just enough information to pick your interest, get your attention, and throw you straight into the abyss of the plot. Caroline Edh’s (Noomi Rapace) skills and abilities are naturally shown without being told and the introduction of the mission creates more mystery, enough to maintain the suspense and make one wonder what it is that they are carrying across the sea that can end the war.
From the moment the mission commences, sequence after sequence, the six elite soldiers are presented with the atrocities of war and this is where one can argue that it gets quite scripted, but I found it well-written, acted, shot, and edited so it kept me at the edge of my seat. Overall, in terms of structure, the narrative follows the rules by the book. There’s nothing surprising really, but there’s nothing wrong with it either. Co-writer/director Adam Berg brings to life a dystopian sci-fi that, even though due to the heavy CGI, it lacks the natural darkness the Scandinavian cinema has always offered, it still manages to generate the intended emotions. Rapace is made for such roles (for any role, actually) and she rightfully steals the show.
I deliberately went for another Swedish film back to back only to emphasise on the diversity of the Swedish cinema. A Man Called Ove: https://kaygazpro.com/2022/04/13/a-man-called-ove-2015-comedy-drama-romance/ was my previous review and as much as Black Crab cannot top it up, it hits the spot and entertains the way it is supposed to do.
While the ending might trigger mixed feelings, you won’t regret watching it. It’ll make you forget the atrocities of the real war out there as well as the pandemic that, even though it has taken the back seat, it still hovers over our heads.
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Solidarity for Ukraine 🇺🇦 🙏